Bruce Almighty (Widescreen Edition)

• TESTED

Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relati! on to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of! overstuffed techno-comedies such as 1941 and Howard! the Duc k (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his! doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth)! .

Carell gets to do silly dances and mix it up with a ! variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Steve Carell rides the wave of 40-Year-! Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although! the religio-environmental message-mongering makes this a most! curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonEvan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy! Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare ! for an impending inundation, Evan sheepishly takes on the task! (it's h ard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell! is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

DVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers ! a sappy, safely diluted notion of faith that lacks the sinceri! ty of th e 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

The Gospel According to Jesus: What Is Authentic Faith?

• ISBN13: 9780310287292
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.The author of a much-loved two-volume Matthew commentary that he revised and expanded in 2007, Frederick Dale Bruner now offers The Gospel of John: A Commentary â€" the fruit of his lifetime of study and teaching. Rather than relying mainly on recent scholarship, Bruner’s approach honors and draws from the church’s major John commentators th! roughout history, including Augustine, Chrysostom, Aquinas, Luther, Calvin, Henry, Bultmann, Barrett, and more.

Added to this “historical interpretation” is Bruner’s “contemporary interpretation,” which incorporates a clear translation of the text, references to major recent scholarship, and Bruner’s personal application of the Gospel to his own experience. Rich in biblical insights, ecumenical in tone, broadly historical, deeply theological, and lovingly written, Bruner’s Gospel of John promises to be an invaluable resource for pastors and teachers."Carson states he is trying to explain the text of John's Gospel to those who minister the Word of God to others, either by preaching or by leading Bible studies. It can be used by those laypeople who want personal growth. He looks at the flow of the text;"The first edition of The Gospel According to Jesus won wide acclaim in confronting the 'easy-believism' that has characterized some aspects of evangel! ical Christianity. Over the past 50 years, a handful of books ! have bec ome true classics, revered world-wide for their crystal-clear presentation of the Gospel and lauded for their contribution to the Christian faith. These extraordinary books are read, re-read, and discussed in churches, Bible study groups, and homes everywhere. John MacArthur's The Gospel According to Jesus is one of those books. In The Gospel According to Jesus, MacArthur tackles the idea of 'easy believism,' challenging Christians to re-evaluate their commitment to Christ by examining their fruits. MacArthur asks, 'What does it really mean to be saved?' He urges readers to understand that their conversion was more than a mere point in time, that, by definition, it includes a lifetime of obediently walking with Jesus as Lord. This 20th anniversary edition of MacArthur's provocative, Scripture-based book contains one new chapter and is further revised to provide Christians in the 21st century a fresh perspective on the intrinsic relationship between faith and works, clearly ! revealing Why Jesus is both Savior and Lord to all who believe.

Grasslands Road Have Faith Girl First Holy Communion Porcelain Frame, 4-3/4 by 5-Inch

• Gift Boxed
• High gloss finish porcelain
• 3-D praying girl
• Message reads: First Holy Communion
• Holds 3-Inch by 3-Inch photo

A compassionate, humorous story of faith, betrayal, and coming of age on the evangelical sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger-than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of M! ercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed "Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was just three years old when her mother sig! ned on as the organist of tent revivalist David Terrell, and b! efore lo ng, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypas! ses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

" Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1! 960s and '70s, the caravan of broken-down cars and trucks that! made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

"Girls return with their long awaited second full-length. More spontaneous and stripped-down than either their self-made debut or their lush EP, Father, Son, Holy Ghost is a gorgeous, largely minor-key record, enlivened by flashes of innocent pop and given depth by its wealth of influences and willingness to face sadness! .Grasslands Road Have Faith Girl First Holy Communion Porcelain Frame, 4-3/4 by 5-Inch

Disney / Pixar CARS 2 Movie Exclusive PVC 10Pack Deluxe Figurine Playset

• Lightning McQueen
• Francesco Bernoulli
• Nigel Gearsley
• Shu Todorki
• Warning: Wheels Do Not Move

From the creators of CARS and TOY STORY 3 comes a new, laugh-out-loud, heartwarming adventure geared for the entire family. Star race car Lightning McQueen (Owen Wilson) and the incomparable tow truck Mater (Larry the Cable Guy) take their friendship on the road from Radiator Springs to exciting new places when they head overseas to compete in the first-ever World Grand Prix!

• Product Measures: 0.5 x 5.5 x 7.5

Lightning McQueen (voice by Owen Wilson), Mater (Larry the Cable Guy), Sally (Bonnie Hunt), and the rest of the gang from Radiator Springs return to the screen in this sequel to Pixar's Cars (2006). But instead of evoking a nostalgic vision of Route 66 through the American Southwest, director John Lasseter and his artists spoof James! Bond films in a fast-paced adventure that mixes espionage and road racing. After a successful season on the track, Lightning is looking forward to some rest at home, but Mater gets him involved in an elaborate three-part international race sponsored by Sir Miles Axlerod (Eddie Izzard) to promote his new synthetic auto fuel. While serving on Lightning's pit crew, Mater inadvertently gets mixed up with two British secret agent cars, Finn McMissile (Michael Caine) and Holley Shiftwell (Emily Mortimer), who are investigating a plot to sabotage the race. Myriad complications ensue before Lightning and Mater get back to the (relative) peace of Radiator Springs. The Pixar artists clearly had a lot of fun spoofing locations in Tokyo, London, Paris, and the Italian Riviera, and creating auto versions of sumo wrestlers, kabuki actors, Queen Elizabeth II, and a doting Italian mother. The use of 3-D adds adrenaline to the racing sequences. Cars 2 lacks the emotional impact of! Toy Story 2, Up, and most of the other Pixa! r featur es, but that will do little to lessen its appeal to its target audience, boys who love cars, driving games, and car toys. Cars 2 is screening with Toy Story Toons: Hawaiian Vacation, a new short with Woody, Buzz, Barbie, Ken, and the rest of the Toy Story gang. (Rated G: minor toilet humor and a few scary moments.) --Charles Solomon

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Cars Toys

Versions of Cars 2 on Blu-ray and DVD

Title	Cars 2 DVD	Cars 2 (Two-Disc Blu-ray / DVD Combo in Blu-ray Packaging)	Cars 2 (Two-Disc Blu-ray / DVD Combo in DVD Packaging)	Cars 2 (Five-Disc Combo: Blu-ray 3D / Blu-ray / DVD / Digital Copy)	Cars Director's Collection ( 11-Disc Blu-ray 3D / Blu-ray / DVD / Digital Copy)
Release Date	11/1/2011	11/1/2011	11/1/2011	11/1/2011	11/1/2011
Format/ Number of discs	One Disc: DVD	Two Discs: Blu-ray + DVD	Two Discs: Blu-ray + DVD	Five Discs: Blu-ray 3D + Blu-ray + DVD + Digital Copy	11 Disc Total Cars includes: Blu-ray + DVD + Digital Copy Cars Toon: Mater's Tall Tales includes: Blu-ray + DVD + Digital Copy Cars 2 includes: B! lu-ray 3D + Blu-ray + BD
Blu-ray 3D	No	No	No	Yes	Yes (On Cars 2 Only)
Blu-ray	No	Yes	Yes	Yes	Yes
DVD	Yes	Yes	Yes	Yes	Yes
Digital Copy	No	No	No	Yes	Yes
Bonus Features (Bonus Material Not Rated)	Theatrical Short - Toy Story Toon:  Hawaiian Vacation All-New, Exclusive Cars Toon: Air Mater Director Commentary *Not available in all territories. Features subject to change	Same as DVD *Not availab! le in all territories. Features subject to change	Same as DVD *Not available in all territories. Features subject to change.	Same as DVD plus: Nuts and Bolts: A Sneak Peek of Cars Land     World Tour â€" Interactive Map Deleted Scenes Short Documentaries Set Explorations from the Different Cities in the Movie *Not available in all territories. Features subject to change.	Same as DVD plus: Nuts and Bolts: A Sneak Peek of Cars Land     World Tour â€" Interactive Map Deleted Scenes Short Documentaries Set Explorations from the Different Cities in the Movie And More! *Not available in all territories. Features sub! ject to change.

Cars 2 Figure Play Set Get every play time off to a racing start with this 10 piece Deluxe Disney Cars 2 Figure Play Set. Lightning McQueen is here along with all of his arch rivals so your young speedster will be on track for lots of fast action thrills! This is a pvc play set. Features Lightning McQueen Carla Veloso Francesco Bernoulli Jeff Gorvette Shu Todorki Lewis Hamilton Max Schnell Miguel Camino Nigel Gearsley Raoul Caroule

The Big Bad Swim

• An adult swim sets the stage for this charming comedy-drama about love, loss, and second chances. Three strangers inextricably connected through personal heartbreak find themselves entering deep water as they learn that life isn't always about diving right in it's about getting your feet wet once in awhile. Starring Jeff Branson (TV's All My Children) and Paget Brewster (TV's Criminal Minds).Not R

Elizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other! As any kid w! ho's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thin! g, a women-can-be-gross-too comedy that spent more time co! ngratula ting itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste line, when it should be jumping over it with a rocket cycle. --Andrew WrightSee dvd for synopsis Studio: Sony Pictures Home Ent Release Date: 10/18/2011 Run time: 98 minutes Rating: Pg13As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. T! oo often, it toes the bad-taste line, when it should be jumpin! g over i t with a rocket cycle. --Andrew WrightElizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other!As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste l! ine, when it should be jumping over it with a rocket cycle. --Andre w WrightA sexually-charge comedy about love, loss, and second chances. Audience Award Best Feature Film Winner at the Tallgrass Film Festival. Best American Independent Winner at the Fort Lauderdale International Film Festival. Best Feature Film Winner ath the Annapolis Film Festival. Bonus Features include: Filmmaker's Commentary, Cinematographer's Video Journal, and Deleted Scenes.

Balibo Poster Movie Australian 11x17 Anthony LaPaglia Oscar Isaac Nathan Phillips Gyton Grantley

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Balibo 11 x 17 Inches Australian Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Featuring six additional chapters, this revised edition reveals the provocative story of one of the most shameful episodes in Australia's history, providing a firsthand account of the 1975 deaths of five young television reporters killed by the Indonesian military in the East Timor border town of Balibo. Chronicling how the reporters died as well as the eventual execution of a sixth reporter who attempted to investigate their fate, this gripping depiction also documents the personal narratives behind the families of the v! ictims and their heartbreaking struggle for the truth. Contending that the Australian government was always aware of the circumstances of the killings, this argument maintains that their cover-up was a key factor in Indonesia's decision to invade and occupy East Timor. With a striking collection of photographs from its thrilling companion film, this searing recollection is as much an investigation of the Indonesian occupation of East Timor as it is a case study of the Balibo killings.

THE MUSIC IN BALIBO COMBINES AN ORIGINAL SCORE BY WORLD RENOWNED AUSTRALIAN COMPOSER LISA GERRARD, WITH TRADITIONAL TIMORESE SONGS. ADDITIONAL ORIGINAL SCORE IN BALIBO WAS COMPOSED BY MARCELLO DE FRANCISCI AND SAM PETTY. TRADITIONAL TIMORESE SONGS ARE A POWERFUL PART OF THE SOUNDTRACK IN BALIBO, AND INCLUDE A CHILDREN'S CHOIR FROM TIMOR OPENING THE FILM WITH THE POWERFUL O HELE HO, THE FRETILIN MILITARY ANTHEM FOHO RAMELAU, AND THE POLITICAL SONG KOLELE MAI. THE FILM CONCLUDES! WITH EGO LEMO'S BALIBO, A TETUM LANGUAGE SONG COMPOSED FOR TH! E FILM D ESCRIBING THE EXPERIENCES OF THE BALIBO FIVE JOURNALISTS THE NIGHT BEFORE THEY WERE TO DIE. EGO IS ONE OF EAST TIMOR'S BEST KNOWN SINGERS, AND HAS SPENT THE LAST 12 MONTHS TOURING AUSTRALIA WITH GEOFFREY GURRUMUL YUNUPINGU.Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: 2-DVD Set, Anamorphic Widescreen, Behind the scenes, Commentary, Deleted Scenes, Documentary, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: After five Australian-based journos go missing, veteran correspondent Roger East is lured to East Timor by the charismatic Jos Ramos-Horta to tell his tiny nation's story and investigate the men's disappearance. As the threat of Indonesian invasion intensifies, an unlikely friendship develops between him and Horta. BALIB! O is a political thriller that tells the true story of crimes that have been covered up for 30 years. SCREENED/AWARDED AT: Australian Film Institute, ...Balibo ( The Balibo Conspiracy )When foreign correspondent Tony Maniaty goes back to Timor for the first time since he fled for his life thirty years before, he discovers a land of ghosts some he left behind, and some he's brought with him. He's there to watch five young actors play out the last days of five friends of his men who were murdered by the Indonesian army in one of the most infamous incidents (and cover-ups) in Australian foreign affairs. He's also there to talk to some friends who survived Gusmao, Ramos-Horta people he knew as guerrillas and who now run the country. When he arrives, past and present, fiction and fact begin to overlap: at the Hotel Turismo he's assigned room eleven the room he had in 1975. And, he later discovers, the room the actor playing his young self had been staying in. Old contacts a! ppear out of the jungle, and disappear into rooms of state. Bu! t the mo st harrowing overlap is when he watches five young men being taken into a shack on the outskirts of Balibo, towards death.Sweden released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS 5.1 ), Danish ( Subtitles ), Finnish ( Subtitles ), Norwegian ( Subtitles ), Swedish ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Interactive Menu, Scene Access, SYNOPSIS: As Indonesia prepares to invade the tiny nation of East Timor, five Australian based journalists go missing. Four weeks later, veteran foreign correspondent Roger East is lured to East Timor by the young and charismatic José Ramos-Horta to tell the story of his country and investigate the fate of the missing men. As East's determination to uncover the truth grows, the threat of invasion intensifies and an unlikely friendship develops betw! een the last foreign correspondent in East Timor and the man who will become President. BALIBO is a political thriller that tells the true story of crimes that have been covered up for over thirty years. SCREENED/AWARDED AT: Australian Film Institute, ...The Balibo Conspiracy ( Balibo )Balibo reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Australian Style A mini poster print

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The Astronaut's Wife/Don Juan DeMarco

• Astronaut's Wife After losing contact with Earth for two terrifying minutes during a dangerous mission in space, NASA astronaut Spencer (Johnny Depp) returns home to his beautiful wife (Charlize Theron) in this heart-stopping psychological thriller. Don Juan DeMarco Marlon Brando, Faye Dunaway and Johnny Depp deliver tour de force performances in this critically-acclaimed romantic comedy.

A woman becomes embroiled in a mystery after her astronaut husband suffers an accident and retires as a hero from the space program. When he begins acting strangely, she must decide whether his odd behavior is all in her mind, or if he is no longer the man she once knew.An intriguingly creepy premise but failed execution marks this stylish and ultimately bland thriller about a pretty, young woman whose pretty, young astronaut husband comes back from his most recent space mission a little... odd. Before that ! fated space trip, Spencer (Johnny Depp) and Jillian (Charlize Theron) were a sunny, happy couple with matching blonde hairdos and a predilection for romping in the sack from extremely clever camera angles. However, after a communications blackout brings Spencer and his partner back down to earth prematurely, things are a little... peculiar. Spencer's partner goes bonkers and has a heart attack; on top of that, the partner's wife takes a fatal shower with a plugged-in radio. Getting out of the space biz, Spencer accepts a job as a corporate exec in New York, and as a welcome to the Big Apple for his comely wife, he molests her at the company cocktail party. Soon enough, Jillian is pregnant, but as you might expect, this pregnancy (twins, don't you know) is a little... unusual. Writer-director Rand Ravich takes his sweet time getting from extremely obvious plot point A to even more obvious plot point B, stretching out the development particulars in mind-numbing, suspense-kill! ing fashion. Even Joe Morton, as a sinisterly psychotic NASA o! fficial, can't liven things up--you know you're in bad thriller territory when the biggest scare comes from a light suddenly being switched off. Theron, sporting a Mia Farrow-Rosemary's Baby haircut, sleepwalks beautifully through the movie, but she did this role much, much better in The Devil's Advocate. Depp, with a cornpone Southern accent, is about as realistic as his peroxided hair. Ravich does the viewer no favors with a hackneyed ending straight out of a B-grade paperback horror novel in which the most shocking moment is Theron's sudden emergence as a brunette. With Blair Brown as a jaded socialite who offers to help out Theron by providing do-it-yourself abortion pills, and a lovely Donna Murphy as the suicidal wife who figures it all out before everyone else. --Mark EnglehartLove and death have been on this poet's mind for some time. This poetry maps a few of her most intense experiences, accentuating the positive, the unusual, and the lost. With! a unique voice and lively wit, a sardonic twist, strength, and a peculiar resolve through melancholy, these words lay bare her soul. Luzajic believes in exploring the frontiers of the universe, its chaos, its beauty, its small kindnesses, its remarkable spirit. Along the way on these adventures, you sometimes have to say goodbye.An intriguingly creepy premise but failed execution marks this stylish and ultimately bland thriller about a pretty, young woman whose pretty, young astronaut husband comes back from his most recent space mission a little... odd. Before that fated space trip, Spencer (Johnny Depp) and Jillian (Charlize Theron) were a sunny, happy couple with matching blonde hairdos and a predilection for romping in the sack from extremely clever camera angles. However, after a communications blackout brings Spencer and his partner back down to earth prematurely, things are a little... peculiar. Spencer's partner goes bonkers and has a heart attack; on top of that, ! the partner's wife takes a fatal shower with a plugged-in radi! o. Getti ng out of the space biz, Spencer accepts a job as a corporate exec in New York, and as a welcome to the Big Apple for his comely wife, he molests her at the company cocktail party. Soon enough, Jillian is pregnant, but as you might expect, this pregnancy (twins, don't you know) is a little... unusual. Writer-director Rand Ravich takes his sweet time getting from extremely obvious plot point A to even more obvious plot point B, stretching out the development particulars in mind-numbing, suspense-killing fashion. Even Joe Morton, as a sinisterly psychotic NASA official, can't liven things up--you know you're in bad thriller territory when the biggest scare comes from a light suddenly being switched off. Theron, sporting a Mia Farrow-Rosemary's Baby haircut, sleepwalks beautifully through the movie, but she did this role much, much better in The Devil's Advocate. Depp, with a cornpone Southern accent, is about as realistic as his peroxided hair. Ravich does! the viewer no favors with a hackneyed ending straight out of a B-grade paperback horror novel in which the most shocking moment is Theron's sudden emergence as a brunette. With Blair Brown as a jaded socialite who offers to help out Theron by providing do-it-yourself abortion pills, and a lovely Donna Murphy as the suicidal wife who figures it all out before everyone else. --Mark EnglehartNow a major motion picture from New Line Cinema, starring Johnny Depp. After a critical two-minute loss of contact with Earth, two astronauts return from space as changed men.An intriguingly creepy premise but failed execution marks this stylish and ultimately bland thriller about a pretty, young woman whose pretty, young astronaut husband comes back from his most recent space mission a little... odd. Before that fated space trip, Spencer (Johnny Depp) and Jillian (Charlize Theron) were a sunny, happy couple with matching blonde hairdos and a predilection for romping in the sack fr! om extremely clever camera angles. However, after a communicat! ions bla ckout brings Spencer and his partner back down to earth prematurely, things are a little... peculiar. Spencer's partner goes bonkers and has a heart attack; on top of that, the partner's wife takes a fatal shower with a plugged-in radio. Getting out of the space biz, Spencer accepts a job as a corporate exec in New York, and as a welcome to the Big Apple for his comely wife, he molests her at the company cocktail party. Soon enough, Jillian is pregnant, but as you might expect, this pregnancy (twins, don't you know) is a little... unusual. Writer-director Rand Ravich takes his sweet time getting from extremely obvious plot point A to even more obvious plot point B, stretching out the development particulars in mind-numbing, suspense-killing fashion. Even Joe Morton, as a sinisterly psychotic NASA official, can't liven things up--you know you're in bad thriller territory when the biggest scare comes from a light suddenly being switched off. Theron, sporting a Mia Farrow-Ro! semary's Baby haircut, sleepwalks beautifully through the movie, but she did this role much, much better in The Devil's Advocate. Depp, with a cornpone Southern accent, is about as realistic as his peroxided hair. Ravich does the viewer no favors with a hackneyed ending straight out of a B-grade paperback horror novel in which the most shocking moment is Theron's sudden emergence as a brunette. With Blair Brown as a jaded socialite who offers to help out Theron by providing do-it-yourself abortion pills, and a lovely Donna Murphy as the suicidal wife who figures it all out before everyone else. --Mark EnglehartTHE ASTRONAUT'S WIFE/DON JUAN DEMARCO - DVD Movie

Elmer's 3D Washable Glitter Paint Pens, 10 Classic Rainbow 'n Glitter Colors (E199)

• 3D paint adds a new dimension to artwork
• Classic rainbow colors. 10 pack
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• Great for school projects, posters, drawings, or outlining
• 10 Classic rainbow and glitter colors per pack
• Classic rainbow colors
• 10 pack

Elmer's Products, Inc. is a company rich in history and tradition. Since the 1940's the Elmer's family of products has developed to meet the ever-changing needs of consumers. They range from a full line of adhesives, arts, crafts, and educational products for children to a complete offering of craft, hobby, office, and home repair products for adults. Elmer's 3D Washable Glitter Paint Pens add a new dimension to writing and painting with colors. Make your artwork "pop" in 3D! Available in classic rainbow and glitter colors, these washable pens are perfect for school projects, posters, drawings, or ! outlining. Safe and non-toxic, these 3D pens rise to every occasion, with ink that raises when dry to make every project stand out! You can trust your best work to Elmer's. Through years of growth and innovation Elmer's has proven its longstanding commitment to quality and fulfillment of consumers' inherent need to imagine, build and learn.

Heat [Blu-ray]

• When Al Pacino and Robert De Niro squarer off, HEAT sizzles. A tale of a brilliant L.A. cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd and Natalie Portman co-star. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929073337 UPC:&nb

Vincent is a cool calculating contract killer at the top of his game. Max is a cabbie with big dreams looking for his next fare. This fateful night max will transport vincent on his next mission - one night 5 stops 5 hits & a perfect getaway. Together they find themselves in a non-stop race against time. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Tom Cruise Jada Picket Smith Run time: 120 minutes Rating: RCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but t! hat's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the conf! idence of a master, turning L.A. into a third major character ! (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCOLLATERAL - Blu-Ray MovieCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay! deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonCollateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, a! fter all, and the director's stellar track record with crime t! hrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree. While Stuart Beattie's screenplay deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a b! it slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff ShannonStudio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutesStudio: Paramount Home Video Release Date: 11/15/2011
Collateral

Collateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will ! execute five people in a 10-hour spree. While Stuart Beattie'! s screen play deftly combines intimate character study with raw bursts of action (in keeping with Mann's directorial trademark), Foxx does the best work of his career to date (between his excellent performance in Ali and his title-role showcase in Ray), and Cruise is fiercely convincing as an ultra-disciplined sociopath. Jada Pinkett-Smith rises above the limitations of a supporting role, and Mann directs with the confidence of a master, turning L.A. into a third major character (much as it was in the Mann-produced TV series Robbery Homicide Division). Collateral is a bit slow at first, but as it develops subtle themes of elusive dreams and lives on the edge, it shifts into overdrive and races, with breathtaking precision, toward a nail-biting climax. --Jeff Shannon


Days of Thunder

With Days of Thunder, director Tony Scott tried to do for the Indy 500 what he did for ! the U.S. Air Force with Top Gun. But without Top Gun's go-go soundtrack and visual feats, Scott merely ends up with a Tom Cruise vehicle that's out of gas.

Cruise plays (what else?) a cocky, upstart stock-car racer who faces down ruthless racing opponents. Nicole Kidman, Robert Duvall, Cary Elwes, and Randy Quaid do the laps around this movie's tiresome track with Cruise, while director Scott attempts to propel the action along with his trademark visceral, gritty but glamorous visual style.

Days of Thunder is notable, however, as a turning point in Cruise's then one-dimensional career. After this film--having tired even his most devoted fans by playing a bartender, an air force pilot, and a stock-car driver--Cruise was forced to take on real character parts. --Ethan Brown

Minority Report

Set in the chillingly possible future of 2054, Steven Spielberg's Minority Re! port is arguably the most intelligently provocative sci-f! i thrill er since Blade Runner. Like Ridley Scott's "future noir" classic, Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precogs" capable (due to drug-related mutation) of envisioning murders before they're committed. As Precrime's confident captain, Tom Cruise preempts these killings like a true action hero, only to run for his life when he is himself implicated in one of the precogs' visions. Inspired by the brainstorming of expert futurists, Spielberg packs this paranoid chase with potential conspirators (Max Von Sydow, Colin Farrell), domestic tragedy, and a heartbreaking precog pawn (Samantha Morton), while Cruise's performance gains depth and substance with each passing scene. Making judicious use of astonishing special effects, Minority Report brilliantly extrapolates a future that's utterly convincing, and too close for ! comfort. --Jeff Shannon


Top Gun

Jingoism, beefcake, military hardware, and a Giorgio Moroder rock score reign supreme over taste and logic in this Tony Scott film about a maverick trainee pilot (Tom Cruise) who can't follow the rules at a Navy aviation training facility. The dogfight sequences between American and Soviet jets at the end are absolutely mechanical, though audiences loved it at the time. The love story between Cruise's character and that of Kelly McGillis is like flipping through pages of advertising in a glossy magazine. This designer action movie from 1986 would be all the more appalling were it not for the canny casting of good actors in dumb parts. Standouts include Anthony Edwards--who makes a nice impression as Cruise's average-Joe pal--and the relatively unknown Meg Ryan in a small but memorable appearance. --Tom Keogh


War of the Worlds

Despite super effects, a huge budget, and! the cin ematic pedigree of alien-happy Steven Spielberg, this take on H.G. Wells's novel is basically a horror film packaged as a sci-fi thrill ride. Instead of a mad slasher, however, Spielberg (along with writers Josh Friedman & David Koepp) utilizes aliens hell-bent on quickly destroying humanity, and the terrifying results that prey upon adult fears, especially in the post-9/11 world. The realistic results could be a new genre, the grim popcorn thriller; often you feel like you're watching Schindler's List more than Spielberg's other thrill-machine movies (Jaws, Jurassic Park). The film centers on Ray Ferrier, a divorced father (Tom Cruise, oh so comfortable) who witnesses one giant craft destroy his New Jersey town and soon is on the road with his teen son (Justin Chatwin) and preteen daughter (Dakota Fanning) in tow, trying to keep ahead of the invasion. The film is, of course, impeccably designed and produced by Spielberg's usual crew of A-class talent. The alie! ns are genuinely scary, even when the film--like the novel--spends a good chunk of time in a basement. Readers of the book (or viewers of the deft 1953 adaptation) will note the variation of whom and how the aliens come to Earth, which poses some logistical problems. The film opens and closes with narration from the novel read by Morgan Freeman, but Spielberg could have adapted Orson Welles's words from the famous Halloween Eve 1938 radio broadcast: "We couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the best next thing: we annihilated the world." --Doug Thomas When Al Pacino and Robert De Niro squarer off, HEAT sizzles. A tale of a brilliant L.A. cop (Pacino) following the trail from a deadly armed robbery to a crew headed by an equally brilliant master thief (De Niro). Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd and Natalie Portman co-star.Having developed his skill as a master of contemporary crime drama! , writer-director Michael Mann displayed every aspect of that ! mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that ! her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, the film qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon

Maximum Human Performance Dark Matter 1200g Blue Raspberry, 2.6 Pound Tub

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Bomb the System

• In the first feature length film in over 20 years to focus on graffiti, Anthony Blest (Mark Webber) is one of the most talented and notorious artists in New York City. Despite the tragic loss of his older brother during a nightly bombing foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his crew, Justin (Gano Grills) and Kevin (Jade Yorker), Anthony p

Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly 'bombing' foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and 'tags' virgin walls with his signature 'Blest.' He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his m! other to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.To "bomb" is b-boy slang meaning to create graffiti. In Adam Bhala Lough's striking debut, the "system" is the NYPD's Vandal Squad. Anthony (Mark Webber, Broken Flowers) is a 19-year-old bomber--tag name "Blest"--with plans to go legit, like Keith Haring or Jean-Michel Basquiat back in the "wild style" 1980s, who went from New York's mean streets to its most exclusive galleries. Alas, both met tragic ends. Blest, too, appears to be on the fast track to artistic success...or personal decline. He may have skills, but he's also a thief and a drug user. When he meets the politically minded Alex (Jaclyn DeSantis), it seems he! 's finally found the angel he needs to guide him in the right ! directio n. After all, he already lost his brother to the graffiti game. Alex wants him to run away with her, but that's easier said than done. Bomb the System is the kind of ambitious first feature where, despite the best of intentions, style trumps substance every time. That said, the look NYU grad Lough achieves--an impressionistic world of black skies, glowing lights, and saturated colors--helps his rather obvious message that crime doesn't pay go down with ease. The tragic tale gets a welcome boost from El-P's ominous instrumental score along with moody tracks from Schoolly D, Madvillain, and Radiohead. --Kathleen C. Fennessy

Doug's 1st Movie [VHS]

• approx 83 minutes

NEW VHS; Factory sealed, never opened. Clean, very fine condition, Carefully packaged to assure your vhs will arrive in perfect condition. SATISFACTION GUARANTEED

Appaloosa

• In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this charac

In Marshal Virgil Cole and deputy Everett Hitchs line of work, you shoot quick, you shoot clean, and you reload straightaway. No remorse. No looking back. No feelings. Feelings get you killed. Paired as rivals in A History of Violence, Ed Harris (who also directs, produces and co-scripts) and Viggo Mortensen stand together as longtime friends and for-hire peacekeepers Cole and Hitch in this character-driven, bullet-hard Western based on Robert B. Parkers novel. Blood will spill in the town called Ap! paloosa.The Western has been an endangered species, on and off, for something like 40 years now. Welcome to Appaloosa, Ed Harris's film of the Robert B. Parker novel--first because it exists at all, but even more because Harris as star, director, and co-screenwriter (with Robert Knott) has managed to bring it to the screen with no hint of fuss or strain, as if the making of no-nonsense, copiously pleasurable Westerns were still something Hollywood did with regularity. Harris plays Virgil Cole, one of those ace gunfighter-lawmen whose name need only be mentioned to make a saloon go still. Cole and his shotgun-toting partner Everett Hitch (Viggo Mortensen) accept a commission to enforce law and order in the New Mexico town of Appaloosa. That basically means protect it from rapacious rancher Randall Bragg (Jeremy Irons, looking right at home on the range), who murdered the previous town marshal like swatting a fly. Life becomes complicated when, about the time Bragg h! as been jailed to await trial, a fancy-dressing piano player c! alling h erself Mrs. French (Renée Zellweger) steps down off the train. Cole commences to have feelings, and as he ruefully reminds Hitch, "Feelin's can get ya killed."

In his second directorial effort (following the 2000 biopic Pollock), Harris takes his cue from novelist Parker's often deadpan-comic touch, allowing action and character to accumulate in accordance with an overall eccentric rhythm. (The film's main disappointment is that it would benefit from more running time to allow things to stew a bit longer, especially in the second half.) The character work is choice, from the moment Tom Bower, James Gammon, and Timothy Spall step into view as Appaloosa's civic leaders; the director's father Bob Harris contributes a cameo as a mellifluous-tongued circuit judge, and an age-thickened Lance Henriksen turns up midfilm as gunman Ring Shelton, trailing affability and menace. In collaboration with Dances With Wolves cameraman Dean Semler, Harris sets up shots an! d scenes in such a way that we often see into and out of Appaloosa's various buildings simultaneously, to excellent dramatic and atmospheric effect, and there's a thrillingly vertical dynamics to a scene involving a train at an isolated water stop. The action is lethal when it needs to be, but never dwelt upon. "That was over quick," Hitch observes after one gun battle. Cole's response says it all: "Everybody could shoot." --Richard T. Jameson

Before and After

• Two of Hollywood's brightest stars, Meryl Streep (THE BRIDGES OF MADISON COUNTY, DEATH BECOMES HER), and Liam Neeson (SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her h

Before and After magazine's focus on clarity, simplicity, and elegance has won it legions of fans--fans who will welcome this second volume of the definitive Before and After Page Design by John McWade. Truly an icon of the graphic design community, his insistence on approaching design not as mere decoration but as an essential form of communication is vividly apparent in this cohesive primer on page design and layout. And you could not hope for a better, more qualified teacher. McWade shows r! eaders how to arrange and present information using today's powerful graphics tools. Readers will learn how to design single-page and multi-page documents, brochures, and ads; why one typeface works better than another; and much more. Best of all, they'll discover how to think visually transforming the images in their heads into something that communicates effectively on the page.Two of Hollywood's brightest stars, Meryl Streep (THE HOURS, ADAPTATION), and Liam Neeson (GANGS OF NEW YORK, SCHINDLER'S LIST) deliver spellbinding performances in this riveting, suspense-filled thriller! A small, close-knit community is rocked by a shocking murder -- and the only suspect is the teenage son of a respected local family. Suddenly, Dr. Carolyn Ryan (Streep) and her husband, Ben (Neeson) are faced with a gut-wrenching dilemma: Whether to risk everything on their son's innocence ... or protect him from his possible guilt! Devastating yet powerfully entertaining, you're sure to agree wi! th critics everywhere who found BEFORE AND AFTER thrilling fro! m beginn ing to end!Liam Neeson and Meryl Streep play a couple going through a parents' nightmare: Their son (Edward Furlong) is accused of murdering a local girl. What's worse, he's gone into hiding, seeming to lend credence to the charges. Neeson, as a passionate, intuitive artist, tries to take matters into his own hands; when he finds what appear to be blood-stained clothes in the kid's car, he cleans the whole thing up and winds up destroying evidence, making matters increasingly worse. Before and After is a solid if stolid drama, with a strong, controlled performance by Streep as the worried wife and mother, while Neeson comes off as overwrought playing the controlling father. Given the subject matter and the presence of director Barbet Schroeder, this movie should be a lot more interesting than it is. --Marshall Fine

Asylum

• When Dr. Martin (Robert Powell) arrives at the Dunmoor Asylum for The Incurably Insane, he expects to be interviewed for a job by the asylum s director, Dr. Starr. Instead, he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr has suffered a mental breakdown and is now one of the patients. Dr. Rutherford states that if Martin can deduce which patient is Dr. Starr, then he will b

Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals.

When Dr. Martin (Robert Powell) arrives at the Dunsmoor Asylum for the incurably insane, he expects to be interviewed by asylum director Dr. Starr. Instead he is met by Dr. Rutherford (Patrick Magee), who explains that Dr. Starr had suffered a mental breakdown and now is one of the patients. Dr. Rutherford decides that if Martin can deduce which one is really Dr. ! Starr, then he will be given the position. Is it Bonnie (Barbara Parkins), whose affair with a married man turns murderous? Is it Bruno (Barry Morse), a hardluck tailor visited by a mysterious stranger (Peter Cushing) with a blueprint and very special fabric for an unusual suit? Is it Barbara (Charlotte Rampling), accused of murdering her brother and her nurse but insisting that her friend Lucy (Britt Ekland) was responsible; Or is it Dr. Byron (Herbert Lom) who claims the ability to transfer collecting.One of the patients in an institution for the incurably insane was once its director, and a young psychiatrist (Robert Powell) has to figure out which one as they all tell him their stories. What better setting for a horror anthology? It's an inspired framing device, making this one of the better examples of the genre, even if screenwriter Robert Bloch at times resorts to gimmicks rather than invention. The first two stories are less than brilliant (the first is highl! ighted by dismembered body parts neatly wrapped in butcher pap! er wrigg ling back to life for revenge), but Charlotte Rampling and Britt Eklund are marvelous in the third tale, about a mentally unbalanced young woman and her dangerous best friend. Herbert Lom is also excellent in the final story as a scientist who carves an army of dolls he claims he can bring to life by sheer will power.

Director Roy Ward Baker (Quatermas and the Pit) builds momentum with each story until the dark and deliciously bloody climax. This Amicus Studios production looks visually dull compared to Hammer's gothic gloss, but it features a great British cast (including Patrick Magee and Hammer stalwart Peter Cushing), and ultimately Baker makes that gloomy look work for his increasingly creepy production. Amicus produced a series of horror anthologies, including the original 1972 Tales from the Crypt and The Torture Garden (also scripted by Bloch). --Sean Axmaker

Across the Universe (Two-Disc Special Edition)

• Condition: Used, Very Good
• Format: DVD
• Anamorphic; NTSC

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert! , Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly! choreographed dance segments, seemingly commonplace character! interac tion, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami HoriuchiAcross the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. A! s the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love prove! s a powerful uniting force, its limitations become clear as re! lationsh ips are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe

On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)

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