Sunday, November 13, 2011

Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

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DETROIT 9000 - DVD MovieThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the ! department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerIf you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages. Certain prime lens just can't be replaced, and you save cost of purchase lenses. Â! ­Fotodiox offers a range of adapter from large format to small! er forma t digital adapters. Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

Friday the 13th (Extended Killer Cut)

  • A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky
Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

Hypnotic Poison by Christian Dior for Women 3.4 oz Eau de Toilette Spray

Behind the Sun

  • ISBN13: 9781439213544
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Digitally remastered Japanese reissue of his top 40 1985 album for Duck/ Reprise in a miniaturized LP sleeve limited to the initial pressing only. 11 tracks, including the top 30 hit 'Forever Man' and the single 'See What Love Can Do'. Gatefold sleeve. 1999 release. Golden Globe Award Nominee for Best Foreign Language Film, BEHIND THE SUN is a critically acclaimed story about love, loyalty, and the choice a son must make between honoring his family and following his heart. In the brutal Brazilian badlands of 1910, two families are locked in a bloody, generations-old feud. In one family, the oldest remaining son, distressed by the prospect of death and encouraged by his younger brother -- begins to que! stion the cycle of violence. Then a beautiful young woman crosses his path and opens his eyes to life outside his culture's rigid code of honor. Stunningly photographed and exquisitely told, this outstanding motion picture masterpiece will transport you to a vastly different place and time ... a place somewhere "behind the sun"!Behind the Sun is a rapturous Western, a big film about a big, unwanted destiny visited upon a vulnerable, young hero. Adapted from the novel Broken April by Albanian writer Ismail Kadare (the story has been transferred from Europe to Brazil's rugged, northeastern badlands in 1910), Behind the Sun concerns two families and their long-running land war, which has robbed many a young man of his hope, love and, ultimately, life. Sent by his aggrieved father to avenge the slaying of an older brother, Tonho (Rodrigo Santoro), in torment, carries out his bloody, ancestral obligation and then proposes a truce between the families. Dire! ctor Walter Salles (Central Station) aims to make a mag! nificent ly crafted, lush, and exotic epic told in broad strokes for art house aficionados, and he succeeds almost to a self-conscious fault. Still, there is nothing like a stirring, archetypal tragedy about the endless repercussions of violence and the sacrifice of innocence to a dubious cause. --Tom KeoghNew set from dance/house artist. Includes the smash hits 'D on't Give Up' & 'Saltwater' plus a previously unreleased ambient mix of 'Saltwater' by The Thrillseekers. 2000 release. Standard jewel case.For some, outfits like producer Nick Bracegirdle's Chicane are not easy to swallow. Isolating the more jubilant properties of trance, the beat is a light bounce, levitating above club-dance brainlessness, sounding like a house music hybrid meant for sparkling sunshine instead of dark and sweaty warehouses. They exist in an idealized, pseudo-enlightened fairy tale filled with bright colors and youthful beauty. But that's not the problem. What rankles purists and picky fans is the! audacity with which these "techno" artists go after the unconverted common folk, dragging electronic music out of its druggy, "in-crowd" pretensions. Bracegirdle and contemporaries like Olive, Sneaker Pimps, and BT (the last, most noticeably on his Movement in Still Life) are waging a turf war on the boundaries between techno and pop music, each using different tactics and borrowing from different sources. Chicane throws out an especially cutting salvo in the battle here, and it's a doozy. None other than Bryan Adams lends his raspy tenor to the subtle grooves and euphoric dreaminess of "Don't Give Up." It's one thing for Liam Gallagher to lend his pipes to a Chemical Brothers track, or for BT to tap Tori Amos for the ubiquitous club hit "Blue Skies," but Bryan Adams? Is this heresy? Or an ingenious use of vocal color that yields an incredibly hummable dance anthem? Maybe it's best not to analyze What It All Means. Just sit back and enjoy the summery grooves! , trusting these ongoing musical inspirations to become whatev! er they need to be. --Matthew Cooke DVD-Behind The Sun by Open Doors FilmsDigitally remastered Japanese reissue of his top 40 1985 album for Duck/ Reprise in a miniaturized LP sleeve limited to the initial pressing only. 11 tracks, including the top 30 hit 'Forever Man' and the single 'See What Love Can Do'. Gatefold sleeve. 1999 release. Behind the Sun by Sue Nielsen follows Sally Burns and a team of elite experts when they are assigned to travel to a newly discovered planet on the opposite side of the Sun, one almost identical to Earth in mass, orbit, and size. What they encounter challenges their beliefs about Earth history, its development, and the nature of reality itself. Facing sabotage, violence, and events and creatures of mythological scope, Sally and the team are unprepared for the shattering revelations they encounter. In the end, Sally and the others find that there is a greater fate waiting for them, one more profound than Sally, or anyone, could have ever imag! ined. Written in masterful prose and told in the best traditions of the sci-fi action genre, Behind the Sun builds on mythological and religious traditions, science, and pure imagination to create a world like no other. Populated with compelling characters and thrilling plot lines, Sue Nielsen has written a book that will grab you by the collar and not let go.

Ashes of Time Redux [Blu-ray]

  • UK Import
  • Region-Free
  • Blu-ray
From Director Wong Kar Wai comes the definitive version of Ashes of Time, an epic martial arts masterpiece of larger-than-life characters, breathtaking landscapes and exquisite fight scenes. The story centers on Ouyang Feng (Leslie Cheung), a heartbroken and cynical man who spends his days alone in the desert, connecting expert swordsmen with those seeking revenge and willing to pay for it. As Ouyang narrates his tale, interweaving the stories of his unusual clients, old friends and future foes, he begins to realize the mistakes of his own past, and how his fear of rejection may have led him to a life of exile.A complicated, sparse, and beautiful film, Ashes of Time Redux is the slightly tweaked version of Wong Kar Wai’s 1994 film. Like some of his other work, the movie borrows a few characters from novelist Louis Cha, but the fi! lm is definitely classic Wong. Ou-yan (Leslie Cheung) is heartbroken, after losing the love of his life to his brother. His friend Huang (Tony Leung Ka Fai) also is broken hearted. Ou-yan provides an unusual service--he connects swordsmen with people seeking revenge. He faces a moral dilemma when he is hired by both a man named Yang and a woman named Yin to kill Huang. There is a clever secret about Yin and Yang's motives that unfolds nicely. The fight sequences are artistically choreographed by Sammo Hung and Wong lovingly presents the action in a slow motion blur that showcases the languid beauty of martial arts. Other characters meander in and out of the plot. The most compelling is a blind swordsman (Tony Leung Chiu Wai) whose wife has a connection to Huang. The storyline at times gets confusing, but the narration by the two male leads offers nice clarity. Wong chooses to keep his set uncluttered, letting the camera focus on one or two characters rather than a sea of ex! tras. Cinematographer Christopher Doyle enhances the melanchol! y tone o f the film by utilizing sepia tones and dramatic framing that captures an otherworldly essence. --Jae-Ha KimOuyang Feng has lived in the western desert for some years. He left his home in White Camel Mountain when the woman he loved chose to marry his elder brother rather than him. Instead of seeking glory, he ends up as an agent. When people come to him with a wish to eliminate someone who has wronged them, he puts them in touch with a swordsman who can do the job.A complicated, sparse, and beautiful film, Ashes of Time Redux is the slightly tweaked version of Wong Kar Wai’s 1994 film. Like some of his other work, the movie borrows a few characters from novelist Louis Cha, but the film is definitely classic Wong. Ou-yan (Leslie Cheung) is heartbroken, after losing the love of his life to his brother. His friend Huang (Tony Leung Ka Fai) also is broken hearted. Ou-yan provides an unusual service--he connects swordsmen with people seeking revenge. He faces a m! oral dilemma when he is hired by both a man named Yang and a woman named Yin to kill Huang. There is a clever secret about Yin and Yang's motives that unfolds nicely. The fight sequences are artistically choreographed by Sammo Hung and Wong lovingly presents the action in a slow motion blur that showcases the languid beauty of martial arts. Other characters meander in and out of the plot. The most compelling is a blind swordsman (Tony Leung Chiu Wai) whose wife has a connection to Huang. The storyline at times gets confusing, but the narration by the two male leads offers nice clarity. Wong chooses to keep his set uncluttered, letting the camera focus on one or two characters rather than a sea of extras. Cinematographer Christopher Doyle enhances the melancholy tone of the film by utilizing sepia tones and dramatic framing that captures an otherworldly essence. --Jae-Ha Kim

Spooked The Ghosts Of Waverly Hills Sanatorium

  • (From the producers of DEATH TUNNEL ) This program premiered on the Sci-Fi Channel here on June 2006, to great ratings and fanfare. The program is a chilling ghost documentary/expose based on the true events surrounding WAVERLY HILLS SANATORIUM, located in Louisville, Kentucky. This former Tuberculosis Sanatorium is where over 60,000 patients died form miss-treatment and horrific experime
Death Tunnel follows a group of college kids who have to spend a night in a haunted sanatorium. An upscale college initiation party strands five girls in the 'Scariest Place in the World.' Within the five floors of an abandoned hospital built in 1910, haunted by five hosts of its tortured past. As the students, one by one, become victims of its tragic history, they soon uncover a shocking link they all may have to its past - a five hundred foot, underground body chute built to remove the dead bodies of its p! atients. When each door opens up, new terror and each corridor leads to unimaginable horror and the only way out is through the Death Tunnel.From the creators of Children Of The Grave, The Possessed and The Haunted Boy. SPOOKED as seen on SyFy. See, Hear & Fear inside the infamous Waverly Hills Sanatorium. This highly acclaimed documentary follows Hollywood filmmakers, The Booth Brothers as they uncover the shocking truth within the haunted halls of The Scariest Place On Earth, Waverly Hills Sanatorium, a monster of a building where it is said over 63,000 people died. Some say the DEAD are still there!
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