Tuesday, November 8, 2011

Joy Division (The Miriam Collection)

  • Fans of the gloomy Manchester-based band from the late 1970s will have less to feel down about with the release of this rockumentary. JOY DIVISION follows the unlikely rise of these working lads up to Ian Curtis's suicide, which tore the band apart until it was reborn as New Order. Included here is rare footage of the group as well as their moody and starkly photographed videos, capturing the
Control tells the remarkable story of Ian Curtis, lead singer of the influential band Joy Division and one of the most enigmatic figures in all of rock music. Based on his wife's memoir, Control follows Curtis' humble Manchester origins and his rapid rise to fame, tormented battle with epilepsy, and struggles with love that led to his death at the age of 23.In his elegiac debut, Anton Corbijn combines the music film with the social drama to stunning success. Based on Deborah Curtis's clear-eyed biography! , Touching from a Distance, Control recounts the wrenching tale of a working-class lad about to hit the highest highs only to be waylaid by the lowest lows. Born and raised in Macclesfield, a suburban community outside Manchester, Ian Curtis (newcomer Sam Riley in a remarkable performance) dreams of fronting a band. Just out of high school in the mid-1970s, he finds three like minds with whom he forms post-punk quartet Warsaw--better known as Joy Division (Riley and castmates ably recreate their somber sound). All the while, he falls in love, marries, and fathers a child with Deborah (Samantha Morton, turning a thankless role into a triumph). While Curtis should be enjoying parenthood and newfound fame, he's plagued by seizures. A diagnosis of epilepsy leads to powerful medications with unpredictable side effects. Then, while on tour, he falls in love with another woman. His solution to these problems is a matter of public record, but Corbijn concentrates on C! urtis's life rather than his death. Just as Control est! ablishes a link between such disparate black and white works as fellow photographer Bruce Weber's Let's Get Lost and kitchen-sink classics like The Loneliness of the Long Distance Runner, the Dutch-born, UK-based director presents his subject not as some iconic T-shirt image, but as a deeply flawed--if massively talented--human being. --Kathleen C. FennessyA convicted killer is given a second chance at life if he is willing to take part in a behavioral modification program.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-JUN-2006
Media Type: DVDIn his elegiac debut, Anton Corbijn combines the music film with the social drama to stunning success. Based on Deborah Curtis's clear-eyed biography, Touching from a Distance, Control recounts the wrenching tale of a working-class lad about to hit the highest highs only to be waylaid by the lowest lows. Born and raised in Macclesfield, a suburban commun! ity outside Manchester, Ian Curtis (newcomer Sam Riley in a remarkable performance) dreams of fronting a band. Just out of high school in the mid-1970s, he finds three like minds with whom he forms post-punk quartet Warsaw--better known as Joy Division (Riley and castmates ably recreate their somber sound). All the while, he falls in love, marries, and fathers a child with Deborah (Samantha Morton, turning a thankless role into a triumph). While Curtis should be enjoying parenthood and newfound fame, he's plagued by seizures. A diagnosis of epilepsy leads to powerful medications with unpredictable side effects. Then, while on tour, he falls in love with another woman. His solution to these problems is a matter of public record, but Corbijn concentrates on Curtis's life rather than his death. Just as Control establishes a link between such disparate black and white works as fellow photographer Bruce Weber's Let's Get Lost and kitchen-sink classics like The L! oneliness of the Long Distance Runner, the Dutch-born, UK-! based di rector presents his subject not as some iconic T-shirt image, but as a deeply flawed--if massively talented--human being. --Kathleen C. FennessyJoy Division is a "fascinating look at the brief but vital trajectory of a band that died with its troubled frontman, Ian Curtis" (Jason Gargano, Cincinnati CityBeat), only to be reborn as the equally influential New Order. Featuring interviews with all surviving band members, Joy Division explores the Manchester origins of this revolutionary act, their partnership with Factory Records founder Tony Wilson, and collaboration with legendary producer Martin Hannett.While Michael Winterbottom's 24 Hour Party People took on impresario Tony Wilson and Anton Corbijn's Control concentrated on singer Ian Curtis, Grant Gee's Joy Division opts for non-fiction over biopic. Together, the three films create a multi-dimensional portrait of Manchester in the post-punk era. Curtis's minimalist quartet arose simultaneously ! as a product of and a reaction to their industrial environment. As Factory Records co-founder Wilson states, "I don't see this as the story of a pop group, I see this as the story of a city that once upon a time was shiny and bold and revolutionary." (Wilson succumbed to cancer shortly afterwards.) Written by Jon Savage (England's Dreaming), the narrative follows the oral history form. Aside from the surviving members of the band, Bernard Sumner, Peter Hook, and Stephen Morris (Curtis committed suicide in 1980), other speakers include designer Peter Saville, Curtis's girlfriend Annik Honoré, and musician Genesis P. Orridge (Throbbing Gristle). Only Curtis's wife, Deborah, chose not to appear on camera, so Gee (Radiohead: Meeting People Is Easy) uses text from her biography, Touching from a Distance. Loaded with rare audio and visual material, like Joy Division's aborted RCA sessions and manager Rob Gretton's notes, Gee presents the definitive documenta! ry of a timeless band. Unlike Corbijn's stately feature, his s! tylish t ribute ends on a more optimistic note: with the birth of New Order in the 1980s and the re-birth of Manchester in the 2000s. Extra features include 75 minutes of bonus interviews and a BBC performance of "Transmission." --Kathleen C. Fennessy

Grease (Rockin' Rydell Edition)

  • Condition: Used, Very Good
  • Format: DVD
  • Full Screen; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy Travolta's naive love interest. The impressive supporting cast reads like a "who's who" in this quintessential musical about the fabulous '50s. Grease is not just a nostalgic look at a simpler decade--it's an energetic and exciting musical homage to the age of rock 'n' roll!System Requirements:Running Time: 110 minsFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 097361183947 Manufacturer No: 118394Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like America! n Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about ! the romantic dilemmas experienced by a group of graduating hi! gh schoo l seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film ! adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of ! credit, bringing chemistry and energy to otherwise bland mater! ial. Joh n Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

The Game Plan (Full Screen Edition)

  • In this hilarious and heartwarming family comedy, one of the sport's toughest players ever takes on his biggest challenge yet -- fatherhood! A superstar with an ego bigger than a football field, Joe Kingman (Dwayne "The Rock" Johnson) is getting ready for a run at the big championship game when the 8-year-old daughter he never knew existed shows up at his not-so-family-friendly bachelo
Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach the kids football--and then take on high school teams. Thoug! h based on a true story (documentary footage over the closing ! credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)







Beyond Gridiron Gang at Amazon.com


More Football Films

The Soundtrack

Other Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he an! d his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach! the kids football--and then take on high school teams. Though! based o n a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

!







Beyond Gridiron Gang at Amazon.com


More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. De! sperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's "Pimp My Ride") devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and disciplin! e, Porter persuades his superiors to let him teach the kids fo! otball-- and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)







Beyond Gridiron Gang at Amazon.com

!


More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet! a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not! -yet-hardened kids a taste of self-esteem and discipline, Port! er persu ades his superiors to let him teach the kids football--and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)







Beyond Grid! iron Gang at Amazon.com


More Football Films

The Soundtrack

Films about Underdogs

Movie DVD"When you look at me, what do you see?" pontificates football star Joe Kingman, then provides the answer: "Greatness." Well, clearly an ego like that needs to be brought down to size--pint-size. The winning family comedy The Game Plan has a whole lot going for it, including star! Dwayne "The Rock" Johnson, who's a natural comedic actor (and the camera loves him), and the young actress (Madison Pettis) who plays the daughter he didn't know he had, Peyton. The plot doesn't break much new ground, since many films have mined the territory of the self-indulgent child-adult who suddenly "inherits" a child (from Three Men and a Baby to Baby Boom to Big Daddy to Raising Helen). But thanks to the charismatic performance of Johnson, the film is winsome and uplifting. Johnson's comic timing and straight-man face are spot-on, as is his warm chemistry with the sweet-faced Pettis. Also giving notable performances are the lovely Roselyn Sanchez as Peyton's ballet teacher, and Kyra Sedgwick as Kingman's hard-nosed agent who's aghast at the appearance of an out-of-wedlock child. Children and adults both can enjoy the movie's warm-and-fuzzy moral of making family where you find it--or where it finds you. --A.T. Hurley

Alone With Her

Deathwatch

  • DVD Details: Actors: Jamie Bell, Ruaidhrí Conroy, Mike Downey, Laurence Fox, Roman Horak
  • Directors: Michael J. Bassett
  • Format: Closed-captioned, Dolby, DVD, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: June 22, 2004; Run Time: 94 minutes
On what should be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But for the crew -- trapped together in the sub's narrow corridors and constricted spaces -- the unexpected visitors seem to spark a series of chilling, otherworldly occurrences! Starring Hollywood favorites Olivia Williams (THE SIXTH SENSE, THE POSTMAN), Bruce Greenwood (THIRTEEN DAYS, DOUBLE JEAPOARD), and Matt Davis (LEGALLY BLONDE, BLUE CRUSH).Inspired by the vintage thrillers of Val Lewton and Jacques Tourn! eur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirrors, where chilling visions tease the brain and stir paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, while the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over cohesive plotting, but it's so visually captivating, and so tautly acted by a fine ensemble cast, that its narrative flaws are easily forgiven. --Jeff Sha! nnonOn what was supposed to be a routine rescue mission du! ring Wor ld War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But the crew begins to noticeâ€"while trapped together in the sub's narrow corridors and constricted spacesâ€"that the visitors seem to spark a series of chilling, otherworldly occurrences. Starring Hollywood favorites Olivia Williams (TV's Dollhouse), Zach Galifianakis (The Hangover Part II), Jason Flemyng (Clash of the Titans), Bruce Greenwood (Barney's Version) and Matthew Davis (TV's The Vampire Diaries).Inspired by the vintage thrillers of Val Lewton and Jacques Tourneur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirrors, where chilling visions tease the brain and sti! r paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, while the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over cohesive plotting, but it's so visually captivating, and so tautly acted by a fine ensemble cast, that its narrative flaws are easily forgiven. --Jeff ShannonIt's Mitchum vs. Jurgens as the commanders of an American destroyer and a German U-boat play a deadly game of cat and mouse.In The Enemy Below Robert Mitchum and Curt Jurgens are respectively captains of a U.S. destroyer and a German U-boat whose vessels come into conflict in the South Atlantic. Both are good men with a job to do, the scri! pt noting Jurgens' distaste for Hitler and the Nazis and engag! ing our sympathy with the German sailors almost as much as the Americans. Made at the height of the cold war of the 1950s, the film delivers a liberal message of co-operation wrapped inside some spectacular action scenes and a story which builds to a tense and exciting, moving finale. --Gary S. DalkinThree quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and t! hrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


Three quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rule! s set down by the company that has betrayed them all are of no! concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


DEATHWATCH - DVD Movie

The Coen Brothers Movie Collection (Fargo / Miller's Crossing / Barton Fink / Raising Arizona / Blood Simple)

  • Fargo - Languages English and French, Subtitles English, French, Spanish
  • Raising Arizona - Languages English and French, Subtitles English, Spanish
  • Miller's Crossing - Languages English, Spanish, French; Subtitles English, Spanish
  • Blood Simple - Language English, Subtitles English, Spanish, French
  • Barton Fink - Languages English, Spanish, French; Subtitles English, Spanish
BLOOD SIMPLE - DVD MovieThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Fr! ances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh
Studio: Tcfhe Release Date: 08/30/2011 Run ! time: 95 minutes Rating: RThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple establ! ished the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghBrilliant Filmmaking Comes Alive On Blu-ray.

The films of Academy Award® Winners Joel Coen and Ethan Coen are breathtakingly bold, stunningly original and marvelously entertaining. This must-own collection from these visionary filmmakers includes four iconic movies, presented in breathtaking Blu-ray high definition.

Blood Simple Blu-ray
From the celebrated filmmaking team of Joel Coen and Ethan Coen (Fargo, Raising Ar! izona), comes this visually stunning tale of a double-crossâ€"! and murd erâ€"in a small town. When the owner of a backwoods bar hires a man to kill his cheating wife and her boyfriend, he opens a door into the criminal world that he’ll never be able to shut. Blood Simple hurtles forward with the speed and intensity of a fired bullet...and delivers as devastating an impact as has ever been felt from a noir film!

Fargo Blu-ray
Nominated for seven Oscars® and winner of two, this darkly amusing thriller combines a first-rate cast, "a dazzling mix of mirth and malice" (Rolling Stone) and a bizarre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizona and O Brother, Where Art Thou?

Miller's Crossing Blu-ray
Filmmakers Joel and Ethan Coen (Raising Arizona, Fargo) create a complex and graphic vision of gangsterism set during Pro! hibition and featuring a riveting rouges’ gallery of killers and con men.

Leo (Albert Finney), a likeable Irish gangster boss, rules an Eastern city along with Tom (Gabriel Byrne), his trusted lieutenant and counselor. But just as their authority is challenged by an Italian underboss (Jon Polito) and his ruthless henchman (J.E. Freeman), Leo and Tom also fall for the same woman (Marcia Gay Harden). Tom, caught in the jaws of a gangland power struggle, walks a deadly tightrope as he tries to control and manipulate its violent outcome.

Raising Arizona Blu-ray
Nicolas Cage, Holly Hunter and John Goodman lead an all-star cast in Ethan and Joel Coen’s celebrated comedy.

Once he decides to give up crime, a small-time robber (Cage) proposes to a pretty cop (Hunter). But when the newlyweds learn they can’t conceive a baby, they decide to steal one from a couple who seem to have one to spare â€" since they jus! t had quintuplets! With its outrageous plot, fast-paced action! and eve n some wild pyrotechnics, Raising Arizona will forever have a place in the hearts of lovers â€" and film lovers â€" everywhere.Review for Blood Simple
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive sudde! nly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh

Review for Fargo
Leave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, ! and a violent tale of criminal misfortune. It all begins when! a haple ss car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

Review for Miller's Crossing
Arguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing! stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller! that it is a deserved classic in its own right. --Tom Ke! ogh

Review for Raising Arizona
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Natha! n Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff ShannonDisc 1: Barton Fink WS Disc 2: Blood Simple WS Disc 3: Fargo WS Disc 4: Miller's Crossing WS Disc 5: Raising Arizona WS

Coco Chanel

  • Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a gl
Audrey Tautou (The Da Vinci Code, Amélie) shines in this intriguing portrait of the early life of Gabrielle Bonheur Chanel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's sit! uation improves further when British investor Arthur "Boy" Cap! el (Ales sandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "style," as she called it--should be complicated or uncomfortable. In transforming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender. --Kathleen C. Fennessy


Stills from Coco Before Chanel (Click for larger image)








Audrey Tautou (The Da Vinci Code, Amélie) shines ! in this intriguing portrait of the early life of Gabrielle Bon! heur Cha nel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off ! with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's situation improves further when British investor Arthur "Boy" Capel (Alessandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "styl! e," as she called it--should be complicated or uncomfortable. ! In trans forming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender. --Kathleen C. Fennessy


Stills from Coco Before Chanel (Click for larger image)








Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a glamorous woman who was hard to love and harder to ignore. Golden Globe and Screen Actors Guild nominated, Coco Chanel is a must-see film for every lover of fashion and romance.Lovers of fashion, Paris, and love will adore Coco Chanel, a stylish biopic about the legend! ary fashion designer whose incredible vision and style would g! o on to become one of the most influential of the 20th century. And while Coco (née Gabrielle) Chanel's focus on her work was undeniable, and expertly chronicled in Coco Chanel, so, too, are her passionate loves--giving the film its depth and humanity. Shirley MacLaine shines as the older Coco, looking back at her legacy from the middle of the century, with her longtime companion and No. 1 booster, Marc Bouchier (Malcolm McDowell), at her side. MacLaine is equal parts arrogant, dismissive, and steadfast in her objective--yet just vulnerable enough to let viewers see the real woman beneath the hard exterior of international success. The stunning cast includes the Czechoslovakian-born Barbora Bobulova as the young Coco--as gamine and winsome as the young Shirley MacLaine--a determined young woman willing to work hard in a man's field and stay true to her own vision. Fashion fans will love learning the story of Chanel's rise from her poor beginnings in an orphanage to he! r hardscrabble start as a seamstress in Paris, slowly making contacts (and charming dashing young gentlemen) and insinuating her idea of elegant chic into the minds of a populace hungry for it. Chanel's conception of a fashion empire included the then-revolutionary idea of incorporating other products, like perfume; the young Coco, in creating her signature scent, said when launching Chanel No. 5, "I am sure this will be my lucky number." The DVD includes a fascinating making-of feature that shows the details of shooting on location and how the filmmakers got the period details absolutely parfait. --A.T. Hurley
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