Thursday, November 3, 2011

Exporting Raymond - Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • This poster may have a border as the image contained may not be 11 x 17 inches.
  • This poster measures approx. 11 x 17 inches from corner to corner.
  • Rolled and shipped in a sturdy tube.
  • This poster is from Exporting Raymond (2010)
Phil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, ! Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond completed its run, and in the wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs i! nto humorless network executives, a glammed-up costume designe! r who be lieves the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert HortonPhil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-o! f-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond complete! d its run, and in the wake of a successful Russian version of ! The N anny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs into humorless network executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). ! Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert Horton

Longtime commodities trader Raymond J. Learsy lifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing candor and an insider's perspective, Learsy explains how OPEC:

  • twists bogus perceptions of oil scarcity to hike prices and gain political power
  • is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets
  • keeps Third-World nations in abject poverty despite their rich oil deposits
  • and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of economic dominance, this book explains how to bust the Mideast oil cartel and chart our own course toward energy indep! endence.

Longtime commodities trader Raymond J. Learsy l! ifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing candor and an insider's perspective, Learsy explains how OPEC:



  • twists bogus perceptions of oil scarcity to hike prices and gain political power

  • is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets

  • keeps Third-World nations in abject poverty despite their rich oil deposits

  • and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of economic dominance, this book explains how to bust the Mideast oil cartel and chart our own course toward energy independence.

Longtime commodities trader Raymond J. Learsy lifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing ! candor and an insider's perspective, Learsy explains how OPEC:



  • twists bogus perceptions of oil scarcity to hike prices and gain political power

  • is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets

  • keeps Third-World nations in abject poverty despite their rich oil deposits

  • and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of economic dominance, this book explains how to bust the Mideast oil cartel and chart our own course toward energy independence.

MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

ASUS PCI-Express x1 7.1 Channel Sound Card XONAR_DX/XD/A/90-YAA060-1UAN00Z

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  • Input THD+N at 1kHz: 0.0004% (-108dB) for Line-in;
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They all live in Los Angeles. And in the next 36 hours, they will collide.Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get p! ulled over by a white racist cop (Matt Dillon) and his relucta! nt partn er (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)







In the recent past, the cries of stock market crash 2005 were not yet smoothen after the revival of stock market to some extent that the situation! was again worsen and the market was again pulled down to such! an exte nt that daily traders were left with nothing except bankruptcy. In order to meet with such type of alarming situation, this book demonstrates the manners and methods under which a stock market crash occurs especially with reference to Pakistan. A deep insight in the capitalization set up of the major companies is brought forward so that anyone who intends to enter the business should be aware of these realities which are prevailing in the different scrips. The study would be helpful for the business class as well as the executive class or anyone else for the purpose of gaining profits and avoiding monetary losses while conducting trade in the stock market or somewhere else. It may be helpful for researchers in advance studies as having a foundation in it.Asus Xonar DX PCI-Express x1 7.1 Channel Sound Card,One PCI Express 1.0 (or higher) compatible slot for the audio card , One available 4-pin power cable from PC s power supply unit , Microsoft Windows Vista(32 or 64bit) o! r XP(32 or 64bit) or MCE2005 , Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU,CS4362A for other 6 channels , 24-bit A-D Converter for Analog Inputs , 1x Cirrus-Logic CS5361 (114dB SNR, Max. 192kHz/24bit) .

Gossip Girl: The Complete Third Season

  • GOSSIP GIRL: 3RD SEASON (DVD MOVIE)
College jounalism students plant a trashy rumor about a celibate co-ed, planning to track how the story changes as it burns through the university. But what the students never imagine is that the savagely mutating tale will turn against them.

DVD Features:
Alternate endings
Audio Commentary:Commentary by D. Guggenheim, J. Mardsen
Deleted Scenes:Deleted Scenes - 11:07
Filmographies
Interactive Menus
Music Video
Other:Travis's gossip Interviews "Grab Bag"
Scene Access
Theatrical Trailer

Gossip is one of a spate of movies that owe a lot to Cruel Intentions. This time it's rich kids in college, but other than that Gossip stays well within the beautiful-young-people-doing-awful-things-to-each other formula. Lena Heady plays Jones, obvi! ously the Smart Girl because she is briefly seen wearing glasses. Jones hangs out with Arty Guy Travis and Handsome Rich Guy Derrick, who finances their adventures and has a little bit of a lying habit. The three are all in the same journalism class (acidic monologist Eric Bogosian plays the acidic professor) and decide to start and track a rumor for their term papers. They pick rich and beautiful couple Beau and Naomi (Joshua Jackson and Kate Hudson) as the focus of the rumor, and before you know it their juicy story starts spinning out of control into ugly territory and a truly ludicrous climax. There are attempts at making sledgehammer points about the slippery task of finding Truth, but mostly Gossip is about the guilty pleasure of watching pretty young actors be mean to each other. You'll hate yourself in the morning, but watch it anyway. --Ali DavisHere’s the dish, GG fans: the 22 episodes of Season Four couldn’t be juicier! And Gossip Girl is there ! to keep you clued in to the buzz, secrets and scandals of Manh! attan’ s elite. Between Blair and Serena’s thrilling summer in Paris, Chuck’s new girlfriend and new identity, unexpected fatherhood for Dan, a power play for Bass Industries, Blair’s too-haute-to-handle internship at W Magazine and a vicious conspiracy that threatens to bring down one of your favorite Upper East Siders, Season Four sizzles with some very surprising hookups and meltdowns. With lies and betrayals at every turn, Serena, Blair, Nate, Chuck, and Dan struggle to “keep their friends close and their frenemies closer.” The fourth season of Gossip Girl starts to show a little age; while the fashions are as couture as ever and the scandals the right level of sleaze, the season takes some inexplicable turns. But no season is complete without its parade of troublemakers, so up first is Georgina (Michelle Trachtenberg), whose pregnancy announcement at the end of season three throws serious water on Dan's romantic possibilities with Serena (Blake Lively). Then t! here's Juliet (Katie Cassidy, daughter of '70s teen idol David), an impostor whose elaborate scheme to take down Serena is connected to her past and involves some serious loony-bin activity (Cassidy, who was the best thing on the short-lived Melrose Place reboot, makes a terrific foil--much less irksome than Georgina, who has by now overstayed her welcome). Finally, there's Russell Thorpe (Spin City's Michael Boatman), a ruthless businessman who angles to take over Bass Industries from Chuck (Ed Westwick). But none of these villains hold a candle to the internal evildoing within the Upper East Siders; Dan (Penn Badgley) plots against Chuck, Vanessa (Jessica Szohr) and Jenny (Taylor Momsen) plot against Serena, then turn against each other, mapping both of their exits off the series; Serena and Chuck plot against her mother, Lily (Kelly Rutherford), and finally Lily's sister Carol plots against her by employing her daughter Charlie (Kaylee DeFer). Incomprehensi! ble love matches ensue (the show's creators seem intent on hav! ing Sere na circle romantic possibilities with… pretty much everyone), but the friendship that naturally evolves between Dan and Blair becomes the season's most pleasant surprise. That Blair becomes the center of a complex romantic web between Chuck and an honest-to-goodness prince (Hugo Becker) steers the season back in the right direction; Meester and Westwick remain the emotional centers of the show and anchor it when it veers too far into Crazytown. --Ellen A. Kim

A dishy, incisive exploration of gossip â€" from celebrity rumors to literary romans à clef, personal sniping to political slander â€" by one our “great essayists” (David Brooks)

To his successful examinations of some of the most powerful forces in modern life â€" envy, ambition, snobbery, friendship â€" the keen observer and critic Joseph Epstein now adds Gossip. No trivial matter, despite its reputation, gossip, he argues, is an eternal and necessary human enterprise. Proving that ! he himself is a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best â€" clever, mocking, a great private pleasure â€" to a corrosive new-school version, thanks to the reach of the mass media and the Internet. Gossip has invaded and changed for the worse politics and journalism, causing unsubstantiated information to be presented as fact. Contemporary gossip claims to reveal truth, but as Epstein shows, it’s our belief in truth that gossip today threatens to undermine and destroy.

Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.
Spotted: Our beloved Upper East Siders, all grown up. Though high school may be behind most of them, you can be sure a future of love, scandal and, of course, secrets awaits! . Based on the best-selling series of young-adult novels by Ce! cily von Ziegesar, this drama is told through the eyes of an all-knowing blogger -- Gossip Girl -- who, via constant, avidly read text messages, is determined to uncover and fuel every scandal possible on Manhattan's Upper East Side, where gossip rules, and affluent young people find themselves with the money, access and appetite to explore all the temptations New York City has to offer. Keeping track of the shifting friendships, jealousies and turmoil in this wealthy and complex world isn't easy; that's why there's Gossip Girl. Executive produced by Josh Schwartz (Chuck, The O.C.) and Stephanie Savage (The O.C.), Gossip Girl has won a legion of devoted and fashion-forward fans.For the Upper East Siders of Gossip Girl, their first year of college means some hierarchical changes. At NYU, Blair (Leighton Meester) gets a cold reception from the students she was hoping to make her minions; alternately, Dan (Penn Badgley) finally hits his stride, inclu! ding dating a movie star (guest star Hilary Duff) but struggling with growing feelings for his bestie Vanessa (Jessica Szohr). Serena (Blake Lively) tries various jobs in an effort to be taken seriously, but as usual ends up falling for the wrong guy and getting herself in one jam after another, the most serious of which involves her daddy issues when he (guest star William Baldwin) reappears into her family's lives. Meanwhile, Chuck (Ed Westwick) is finally happy in his relationship with Blair and, buoyed by her love, launches his own hotel to emerge from his late father's shadow. As scheming and backstabbing are the bread and butter of Gossip Girl, many villains cycle through, including Michelle Trachtenberg's return as Georgina and Desmond Harrington (Dexter) as Chuck's uncle. But the true evolving baddie in the third season is Jenny (Taylor Momsen), now the Queen Bee of Constance Billard and showing a new meanness that leaves her betraying her closest frie! nds and family, trying to steal Nate (Chace Crawford) from Ser! ena, and (gasp!) dealing drugs. Blair and Chuck may be vicious, but at least they're multidimensional and easy to root for--they remain the central couple of the series, with Meester and Westwick's undeniable chemistry and strong acting--whereas Jenny has become (literally) the petulant child whom you just want to give a good spanking. Unfortunately, no amount of tears ever really redeems her, since her transformation from loathing the social elitism to leading the Mean Girls is so abrupt.

The best episodes are when the cast turns into the Scooby Gang to dig for the truth about someone's nefarious ways, with Serena as the far-too-trusting victim (for a girl who's far from sheltered, she's also really dense about people's ulterior motives and really horrible at learning that you should never hide things from your boyfriend). Of course, there's always a college party or a fabulous gala (this season includes a cotillion, a wedding, and a state dinner!) to bring everyone together an! d have an excuse to wear fabulous couture. Season 3 may take the series out of high school and into the real world, but really, the only difference is they're not wearing school uniforms. Bonus features include a featurette on the many formal events across the three seasons (the Kiss on the Lips party, the black and white party, proms, masquerade balls, etc.), including tips on how to throw your own Gossip Girl party; a blooper reel; and a music video from Lady Gaga, who makes a cameo in one episode. --Ellen A. Kim

Girl-frogs and Wet T-Shirts

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