Estwing E24A Sportsman's Hatchet Metal Handle

• All steel construction
• Head and handle forged in one-piece
• Fully polished with genuine leather grip and sheath
• 16-Inch overall length
• 3-1/4-Inch cutting edge

Since it was first published in 1987, the story of thirteen-year-old Brian Robeson's survival following a plane crash has become a modern classic. Stranded in the desolate wilderness, Brian uses his instincts and his hatchet to stay alive for fifty-four harrowing days.

This twentieth-anniversary edition of Hatchet contains a new introduction and sidebar commentary by Gary Paulsen, written especially for this volume. Drew Willis's detailed pen-and-ink illustrations complement the descriptions in the text and add a new dimension to the book. This handsome edition of the Newbery Honor book will be treasured by Hatchet fans as well as by readers encountering Brian's unforgettable story for t! he first time.All steel construction. 3 1 4'' cutting edge. Head and handle forged in 1 piece. Fully polished with genuine leather grip and sheath. Overall length: 14''.

Divine Intervention

• DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for silent comedy. DIVINE INTERVENTION is not a silent film, but an intensely quiet comedy about daily life in the West Bank and Israel. Suleiman provides a series of not-altogether-related vignettes

At the center of the Middle East conflict, hearts beat in tragic comedy and deadpan irony: a sexy young Palestinian woman defies Israeli soldiers and struts through a check-point as if it were the catwalk of a fashion show, Santa Claus is chased up the sun-drenched hills of Nazareth by a gang of knife-wielding school kids, Israeli police use a blindfolded prisoner to provide directions to tourists in Jerusalem, a Palestinian collaborator casually extinguishes his firebombed house on a daily basis, and a fem! ale ninja descends from the sky, holding the map of ‘Palestine’ as her battle shield. These are but a few of the provocative images that filmmaker Elia Suleiman puts forth in his critically-acclaimed satire chronicling the absurdities of life and love on both sides of the Palestinian-Israeli border, DIVINE INTERVENTION.

High Fidelity

• Rob Gordon (John Cusack) is the owner of a semi-failing record store in Chicago where he sells music the old fashioned way - on vinyl. He s a music junkie who spends his days at his store, Championship Vinyl, with his two employees Dick (Todd Louiso) and Barry (Jack Black) creating their all-time favorite top-five lists of songs. Although they have an encyclopedia knowledge of pop music and are co

From the guys who brought you GROSSE POINTE BLANK comes the absolutely hilarious HIGH FIDELITY. John Cusack (BEING JOHN MALKOVICH) stars as Rob Gordon, the owner of a semi-failing record store located on one of the back streets of Chicago. He sells music the old-fashioned way -- on vinyl, with two wacky clerks, the hysterically funny rock snob Barry (Jack Black) and the more quietly opinionated underachiever Dick (Todd Luiso). But Rob's business isn't the only thing in his life that's floundering --! his needle skips the love groove when his longtime girlfriend Laura (newcomer Iben Hjejle) walks out on him. And this forces him to examine his past failed attempts at romance the only way he knows how! For a rocking fun time, give HIGH FIDELITY a spin. It's sure to make your all-time top five list for comedies -- with a bullet.Transplanted from England to the not-so-mean streets of Chicago, the screen adaptation of Nick Hornby's cult-classic novel High Fidelity emerges unscathed from its Americanization, idiosyncrasies intact, thanks to John Cusack's inimitable charm and a nimble, nifty screenplay (cowritten by Cusack). Early-thirtysomething Rob Gordon (Cusack) is a slacker who owns a vintage record shop, a massive collection of LPs, and innumerable top-five lists in his head. At the opening of the film, Rob recounts directly to the audience his all-time top-five breakups--which doesn't include his recent falling out with his girlfriend Laura (Iben Hjejle), who has! just moved out of their apartment. Thunderstruck and obsessed! with La ura's desertion (but loath to admit it), Rob begins a quest to confront the women who instigated the aforementioned top-five breakups to find out just what he did wrong.

Low on plot and high on self-discovery, High Fidelity takes a good 30 minutes or so to find its groove (not unlike Cusack's Grosse Pointe Blank), but once it does, it settles into it comfortably and builds a surprisingly touching momentum. Rob is basically a grown-up version of Cusack's character in Say Anything (who was told "Don't be a guy--be a man!"), and if you like Cusack's brand of smart-alecky romanticism, you'll automatically be won over (if you can handle Cusack's almost-nonstop talking to the camera). Still, it's hard not to be moved by Rob's plight. At the beginning of the film he and his coworkers at the record store (played hilariously by Jack Black and Todd Louiso) seem like overgrown boys in their secret clubhouse; by the end, they've grown up considerably, with a cl! ear-eyed view of life. Ably directed by Stephen Frears (Dangerous Liaisons), High Fidelity features a notable supporting cast of the women in Rob's life, including the striking, Danish-born Hjejle, Lisa Bonet as a sultry singer-songwriter, and the triumphant triumvirate of Lili Taylor, Joelle Carter, and Catherine Zeta-Jones as Rob's ex-girlfriends. With brief cameos by Tim Robbins as Laura's new, New Age boyfriend and Bruce Springsteen as himself. --Mark Englehart

Damned If She Does, Damned If She Doesn't: Rethinking the Rules of the Game That Keep Women from Succeeding in Business

• ISBN13: 9781616141745
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Brian Clough's 44-day tenure as manager of Leeds United between July and September 1974 is one of the most infamous episodes in British football history. While the bestselling The Damned United was a fictional account of Clough's short-lived but controversial reign at the club, We are the Damned United reveals the true story, as told by the players he managed at the time. Vividly recreating the atmosphere of the era, the book features candid contributions from legendary names such as Peter Lorimer, Eddie Gray, Terry Yorath, and Duncan McKenzie. They reveal what it was like to make the transition from the relatively smooth management style of former manager Don Revie, who helped ! the club achieve success in Europe, to a constant crossing of swords with the outspoken Brian Clough, who left the club flailing at the foot of the league upon his premature departure. This explosive account covers all the drama that ensued from the moment Clough was earmarked by the club directors as the favorite to succeed Revie to his exit less than two months later, saddled with the knowledge that he had been the club's most unsuccessful manager ever. Told from the perspective of those who experienced Clough's dictatorial managerial methods at Leeds at first hand, We are the Damned United tells it how it really was rather than how it might have been.

Brian Clough’s 44-day tenure as manager of Leeds United between July and September 1974 is one of the most infamous episodes in British football history. While the bestselling The Damned United was a fictional account of Clough’s short-lived but controversial reign at the club, We are the Dam! ned United reveals the true story, as told by the players ! he manag ed at the time. Vividly recreating the atmosphere of the era, the book features candid contributions from legendary names such as Peter Lorimer, Eddie Gray, Terry Yorath and Duncan McKenzie. They reveal what it was like to make the transition from the relatively smooth management style of former manager Don Revie, who helped the club achieve success in Europe, to a constant crossing of swords with the outspoken Brian Clough, who left the club flailing at the foot of the league upon his premature departure. This explosive account covers all the drama that ensued from the moment Clough was earmarked by the club directors as the favourite to succeed Revie to his exit less than two months later, saddled with the knowledge that he had been the club’s most unsuccessful manager ever. Told from the perspective of those who experienced Clough’s dictatorial managerial methods at Leeds at first hand, We are the Damned United tells it how it really was rather than how it migh! t have been.Brian Clough’s 44-day tenure as manager of Leeds United between July and September 1974 is one of the most infamous episodes in British football history. While the bestselling The Damned United was a fictional account of Clough’s short-lived but controversial reign at the club, We are the Damned United reveals the true story, as told by the players he managed at the time. Vividly recreating the atmosphere of the era, the book features candid contributions from legendary names such as Peter Lorimer, Eddie Gray, Terry Yorath and Duncan McKenzie. They reveal what it was like to make the transition from the relatively smooth management style of former manager Don Revie, who helped the club achieve success in Europe, to a constant crossing of swords with the outspoken Brian Clough, who left the club flailing at the foot of the league upon his premature departure. This explosive account covers all the drama that ensued from the moment Clough was earm! arked by the club directors as the favourite to succeed Revie ! to his e xit less than two months later, saddled with the knowledge that he had been the club’s most unsuccessful manager ever. Told from the perspective of those who experienced Clough’s dictatorial managerial methods at Leeds at first hand, We are the Damned United tells it how it really was rather than how it might have been.From the Academy Award-nominated writer of The Queen and Frost/Nixon, The Damned United is based on the incredible true story of Brian Clough, one of England’s greatest soccer managers and his 44 controversial days at the helm of reigning champs Leeds United. Michael Sheen (Frost/Nixon, Underworld: Rise of the Lycans and Twilight Saga: New Moon) triumphs as Clough starring alongside a winning ensemble cast that includes Timothy Spall (Harry Potter and the Goblet of Fire), Colm Meaney (Layer Cake) and Jim Broadbent (Harry Potter and the Half-Blood Prince). This inspiring and humorous sp! orts drama is about the power of friendship in the face of adversity and the stubborn will of one man to play by his own rules.You don't have to like football (or soccer, as we call it in the U.S.) to enjoy The Damned United, because this sharp, funny movie isn't about sports any more than Citizen Kane is about running a newspaper. The Damned United is about ego--specifically, the large and driven ego of Brian Clough (Michael Sheen), the manager of a low-rung football team who, along with his assistant Peter Taylor (the always superb Timothy Spall, Secrets & Lies), brought his team to the top rank. At which point Clough self-destructed, even as he seemed to be given the keys to even greater heights: he was hired as the new manager of Leeds United, perhaps the strongest team in England, replacing his longtime rival Don Revie (Colm Meaney, Star Trek: Deep Space Nine). The Damned United bounces back and forth in time, deftly laying out Clough! 's rise and fall, transforming a man who initially seems an un! bearable , domineering jerk into someone you feel for deeply. After Frost/Nixon and The Queen, Sheen practically specializes in playing real people, but his performance here is utterly stellar, by turns brilliantly comic and subtly moving. The movie lets the relationship between Clough and Taylor unspool organically, until the love and anger between them starts to fray and collapse. This is a riveting and ultimately invigorating story, psychologically compelling and with more twists and turns than a crime thriller. Simply a great movie. --Bret Fetzer


Stills from The Damned United (Click for larger image)

From the Academy Award-nominated writer of The Queen and Frost/Nixon, The Damned United is based on the incredible true story of Brian Clough, one of England’s greatest soccer managers and his 44 controversial days at the helm of reigning champs Leeds United. Michael Sheen (Frost/Nixon, Underworld: Rise of the Lycans and Twilight Saga: New Moon) triumphs as Clough starring alongside a winning ensemble cast that includes Timothy Spall (Harry Potter and the Goblet of Fire), Colm Meaney (Layer Cake) and Jim Broadbent (Harry Potter and the Half-Blood Prince). This inspiring and humorous sports drama is about the power of friendship in the face of adversity and the stubborn will of one man to play by his own rules.You don't have to like foot! ball (or soccer, as we call it in the U.S.) to enjoy The Damned United, because this sharp, funny movie isn't about sports any more than Citizen Kane is about running a newspaper. The Damned United is about ego--specifically, the large and driven ego of Brian Clough (Michael Sheen), the manager of a low-rung football team who, along with his assistant Peter Taylor (the always superb Timothy Spall, Secrets & Lies), brought his team to the top rank. At which point Clough self-destructed, even as he seemed to be given the keys to even greater heights: he was hired as the new manager of Leeds United, perhaps the strongest team in England, replacing his longtime rival Don Revie (Colm Meaney, Star Trek: Deep Space Nine). The Damned United bounces back and forth in time, deftly laying out Clough's rise and fall, transforming a man who initially seems an unbearable, domineering jerk into someone you feel for deeply. After Frost/Nixon and The Queen, Sheen practically specializes in playing real ! people, but his performance here is utterly stellar, by turns brilliantly comic and subtly moving. The movie lets the relationship between Clough and Taylor unspool organically, until the love and anger between them starts to fray and collapse. This is a riveting and ultimately invigorating story, psychologically compelling and with more twists and turns than a crime thriller. Simply a great movie. --Bret Fetzer


Stills from The Damned United (Click for larger image)

Drawing on untapped archives and full of fresh revelations, here is the definitive biography of America’s legendary defense attorney and progressive hero.

Clarence Darrow is the lawyer every law school student dreams of being: on the side of right, loved by many women, played by Spencer Tracy in Inherit the Wind. His days-long closing arguments delivered without notes won miraculous reprieves for men doomed to hang.
 
Darrow left a promising career as a railroad lawyer during the tumultuous Gilded Age in order to champion poor workers, blacks, and social and political outcasts against big business, Jim Crow, and corrupt officials. He became famous defending union leader Eugene Debs in the land­mark Pullman Strike case and went from one headline case to the nextâ€"until he was nearly crushed by an indictment for bribing a jury. He redeemed himself in Dayton, Tennessee, defending schoolteacher John Scopes in the “Monk! ey Trial,” cementing his place in history.
 
Now, John A. Farrell draws on previously unpublished correspondence and memoirs to offer a candid account of Darrow’s divorce, affairs, and disastrous finances; new details of his feud with his law partner, the famous poet Edgar Lee Masters; a shocking disclosure about one of his most controversial cases; and explosive revelations of shady tactics he used in his own trial for bribery.
 
Clarence Darrow is a sweeping, surprising portrait of a leg­endary legal mind.A hilarious, shocking, terrifying thrill-ride across the American landscape, The Damned Highway combines two great flavors of weird: the gonzo journalism of Hunter S. Thompson and the uncanny terrors of H.P. Lovecraft! Horror legend Brian Keene and cult storytelling master Nick Matamas dredge up a tale of drug-fueled eldritch madness from the blackest depths of the American Nightmare. On a freaked-out bus journey to Arkham, Massac! husetts and the 1972 Presidential primary, evidence mounts tha! t sinist er forces are on the rise, led by the Cult of Cthulhu and its most prominent member - Richard M. Nixon!Forty-five years after Betty Friedan's The Feminine Mystique, women have yet to achieve parity with men in the workplace. Men continue to make more money than women, and women's representation in the higher management ranks continues to lag behind men's.

Damned if She Does, Damned if She Doesn't asserts that certain respected rules of business actually work against gender equality. The rules inadvertently create paradoxes that put women in no-win situations, limiting their opportunity to succeed relative to men. Written by a woman and a man who have lived in the trenches of the corporate battlefield, this perceptive analysis exposes five of these paradoxes and concludes with a new model for business, which the authors call a coed corporation.

The tacit rules of corporate culture that create these parity paradoxes are:

Be a te! am player: While women rarely receive recognition comparable to men, if a woman seeks recognition for herself, she is seen as not being a team player.

Attract mentors and advocates: Talented women who work hard often don't attract the respected mentors or win influential, loyal advocates to the same degree as men.

Show commitment to the job: A woman fully dedicated to her career is often perceived as lacking a personal life. Conversely, a woman with a fulfilling personal life is dismissed as not seriously committed to her career.

Bond with coworkers: A woman who tries to bond with her male peers is seldom successful and tends to alienate both men and women.

Recognize your role in the system: If women accept their role, nothing changes; if they challenge it, they are stigmatized and their careers are limited.

With the insights that these two seasoned consultants provide, changes can be made that will finally achi! eve true gender parity in the workplace.

Alvin and the Chipmunks: The Squeakquel (Single-Disc Edition)

• Chipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious
• But they soon face some stiff competition when they meet the Chipettes ? a beautiful, talented trio

Chipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious “squeakquel” packed with more action and more nutty fun for the whole family! When a concert mishap lands Dave in the hospital, the Chipmunks take a break from superstardom and enroll in school to fit in with kids their age. But they soon face some stiff competition when they meet the Chipettes â€" a beautiful, talented trio of chipmunks discovered by Ian, the boys’ evil ex-manager! Dave (Jason Lee) isn't exactly the typical father figure with an average family, but he cares deeply about his adoptive chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler). Whi! le the performing life presents its own unique challenges, Dave always does his best to instill a sense of compassion and familial love into his young charges. When Alvin begins to get a little too caught up in his own stardom, Dave reminds him to share the spotlight with his fellow chipmunks, but Alvin gets carried away and ends up inadvertently injuring Dave on location in Paris. Aunt Jackie (Kathryn Joosten) steps in to look after the Chipmunks, but when her wheelchair rolls down a flight of stairs, only her irresponsible grandson Toby (Zachary Levi) is left to watch over the boys. An unemployed video gamer who lives with Jackie, Toby is completely unprepared for the responsibility of caring for the Chipmunks, but he agrees nonetheless. Starting school is not easy for the Chipmunks, and they are the target of bullying from their very first day. But Alvin eventually works his way in with the popular crowd, leaving Theodore and Simon to fend for themselves with little supp! ort from Toby. The school principal (Wendie Malick) is one of ! the Chip munks' biggest fans, and when the school's music department is about to be shut down due to lack of funds, she decides to enter them in a competition that will save the music program. Enter the Chipettes--female chipmunks Brittany (Christina Applegate), Eleanor (Amy Poehler), and Jeanette (Anna Faris), who are seeking their own chance for singing stardom--and the Chipmunks' dishonest ex-agent, Ian (David Cross), and the stage is set for some serious backstabbing competition. Craziness reigns as the two groups wage a musical war against one another, but in the end it all comes down to a question of what's more important--stardom or friendship. As in the first Alvin and the Chipmunks movie, the music is strangely appealing despite being performed mostly in falsetto, the characters are cute, the action is comical, and the life lessons ring true. (Ages 6 and older with parental guidance due to some mild rude humor) --Tami Horiuchi

Borat [Blu-ray]

• Blu-ray, Region-free
• UK Import

Sacha Baron Cohen brings his Kazakh journalist character Borat Sagdiyev to the big screen for the first time. Leaving his native Kazakhstan, Borat travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to co! me to "U.S. and A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would! not be funny in America." NOT! Borat is subversively, bracing! ly funny . When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana's Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and r! acism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

On the DVD
"Global Visitings" captures Borat-mania in all its hype and glory, as Sacha Baron Cohen, never breaking character, promotes his film around the world. On the itinerary is Late Night with Conan O'Brien and the Toronto Film Festival, a now-legendary screening aborted after a projector malfunction. A mixed bag of deleted scenes finds Borat trying to bait more unsuspecting citizens, including an animal-control worker who refuses Borat a dog after he asks, "How do you recommend I cook this! ?" and a doctor who is nonplussed by Borat's obscene medical h! istory. A supermarket visit offers the most maddening fromage-inspired looniness since Monty Python's "Cheese Shop" sketch. Also good for a few chuckles are a faux soundtrack commercial and a Baywatch parody ("Sexydangerwatch"). --Donald Liebenson

Beyond Borat

All things Sacha Baron Cohen

Borat Apparel

Borat Soundtrack

Stills from Bora! t (click for larger image)

Sacha Baron Cohen brings his Kazakh journalist character Borat Sagdiyev to the big screen for the first time. Leaving his native Kazakhstan, Borat travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

It takes a certain kind of comic genius to create a character w! ho is, to quote the classic Sondheim lyric, appealing and appa! lling. B ut be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to come to "U.S. of A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in a series of increasingly cringe-worthy scenes. Borat, with his '70s mustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts ! with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at! a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Success, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana'! s Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kenn! edy Xper iment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

On the DVD
"Global Visitings" captures Borat-mania in all its hype and glory, as Sacha Baron Cohen, never breaking character, promotes his film around the world. On the itinerary is Late ! Night with Conan O'Brien and the Toronto Film Festival, a now-legendary screening aborted after a projector malfunction. A mixed bag of deleted scenes finds Borat trying to bait more unsuspecting citizens, including an animal-control worker who refuses Borat a dog after he asks, "How do you recommend I cook this?" and a doctor who is nonplussed by Borat's obscene medical history. A supermarket visit offers the most maddening fromage-inspired looniness since Monty Python's "Cheese Shop" sketch. Also good for a few chuckles are a faux soundtrack commercial and Baywatch parody ("Sexydangerwatch"). --Donald Liebenson

Beyond Borat

All things Sacha Baron ! Cohen

Borat Apparel

Borat Soundtrack

Stills from Borat (click for larger image)

Borat Sagdiyev, Kazakhstan's sixth most famous man and a leading journalist from the State run TV network, travels from his ! home in Kazakhstan to the U.S. to make a documentary. On his cross-country road-trip, Borat meets real people in real situations with hysterical consequences.It takes a certain kind of comic genius to create a character who is, to quote the classic Sondheim lyric, appealing and appalling. But be forewarned: Borat is not "something for everyone." It arrives as advertised as one of the most outrageous, most offensive, and funniest films in years. Kazakhstan journalist Borat Sagdiyev (Sacha Baron Cohen reprising the popular character from his Da Ali G Show), leaves his humble village to come to "U.S. and A" to film a documentary. After catching an episode of Baywatch in his New York hotel room, he impulsively scuttles his plans and, accompanied by his fat, hirsute producer (Hardy to his Laurel), proceeds to California to pursue the object of his obsession, Pamela Anderson. Borat is not about how he finds America; it's about how America finds him in! a series of increasingly cringe-worthy scenes. Borat, with hi! s '70s m ustache, well-worn grey suit, and outrageously backwards attitudes (especially where Jews are concerned) interacts with a cross-section of the populace, catching them, a la Alan Funt on Candid Camera, in the act of being themselves. Early on, an unwitting humor coach advises Borat about various types of jokes. Borat asks if his brother's retardation is a ripe subject for comedy. The coach patiently replies, "That would not be funny in America." NOT! Borat is subversively, bracingly funny. When it comes to exploring uncharted territory of what is and is not appropriate or politically correct, Borat knows no boundaries, as when he brings a fancy dinner with the southern gentry to a halt after returning from the bathroom with a bag of his feces ("The cultural differences are vast," his hostess graciously/patronizingly offers), or turns cheers to boos at a rodeo when he calls for bloodlust against the Iraqis and mangles "The Star Spangled Banner."

Succes! s, John F. Kennedy once said, has a thousand fathers. A paternity test on Borat might reveal traces of Bill Dana's Jose Jimenez, Andy Kaufman, Michael Moore, The Jamie Kennedy Xperiment, and Jackass. Some scenes seem to have been staged (a game Anderson, whom Borat confronts at a book signing, was reportedly in on the setup), but others, as the growing litany of lawsuits attests, were not. All too real is Borat's encounter with loutish Southern frat boys who reveal their sexism and racism, and the disturbing moment when he asks a gun store owner what gun he would recommend to "kill a Jew" (a Glock automatic is the matter-of-fact reply). Comedy is not pretty, and in Borat it can get downright ugly, as when Borat and his producer get jiggly with it during a nude fight that spills out from their hotel room into the hallway, elevator, lobby and finally, a mortgage brokers association banquet. High-five! --Donald Liebenson

Wii Remote Control (Non OEM)

• Fully compatible with all of the Wii accessories
• Built-in Speaker and Rumble Feature
• Includes a Wrist Strap to prevent the device from flying out of hand during play
• Features expansion port for additional input devices, such as the Nunchuk controller
• Batteries not included

Control tells the remarkable story of Ian Curtis, lead singer of the influential band Joy Division and one of the most enigmatic figures in all of rock music. Based on his wife's memoir, Control follows Curtis' humble Manchester origins and his rapid rise to fame, tormented battle with epilepsy, and struggles with love that led to his death at the age of 23.In his elegiac debut, Anton Corbijn combines the music film with the social drama to stunning success. Based on Deborah Curtis's clear-eyed biography, Touching from a Distance, Control recounts the wrenching tale of a working! -class lad about to hit the highest highs only to be waylaid by the lowest lows. Born and raised in Macclesfield, a suburban community outside Manchester, Ian Curtis (newcomer Sam Riley in a remarkable performance) dreams of fronting a band. Just out of high school in the mid-1970s, he finds three like minds with whom he forms post-punk quartet Warsaw--better known as Joy Division (Riley and castmates ably recreate their somber sound). All the while, he falls in love, marries, and fathers a child with Deborah (Samantha Morton, turning a thankless role into a triumph). While Curtis should be enjoying parenthood and newfound fame, he's plagued by seizures. A diagnosis of epilepsy leads to powerful medications with unpredictable side effects. Then, while on tour, he falls in love with another woman. His solution to these problems is a matter of public record, but Corbijn concentrates on Curtis's life rather than his death. Just as Control establishes a link between such! disparate black and white works as fellow photographer Bruce ! Weber's Let's Get Lost and kitchen-sink classics like The Loneliness of the Long Distance Runner, the Dutch-born, UK-based director presents his subject not as some iconic T-shirt image, but as a deeply flawed--if massively talented--human being. --Kathleen C. FennessyA convicted killer is given a second chance at life if he is willing to take part in a behavioral modification program.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-JUN-2006
Media Type: DVDIn his elegiac debut, Anton Corbijn combines the music film with the social drama to stunning success. Based on Deborah Curtis's clear-eyed biography, Touching from a Distance, Control recounts the wrenching tale of a working-class lad about to hit the highest highs only to be waylaid by the lowest lows. Born and raised in Macclesfield, a suburban community outside Manchester, Ian Curtis (newcomer Sam Riley in a remarkable performance) dreams! of fronting a band. Just out of high school in the mid-1970s, he finds three like minds with whom he forms post-punk quartet Warsaw--better known as Joy Division (Riley and castmates ably recreate their somber sound). All the while, he falls in love, marries, and fathers a child with Deborah (Samantha Morton, turning a thankless role into a triumph). While Curtis should be enjoying parenthood and newfound fame, he's plagued by seizures. A diagnosis of epilepsy leads to powerful medications with unpredictable side effects. Then, while on tour, he falls in love with another woman. His solution to these problems is a matter of public record, but Corbijn concentrates on Curtis's life rather than his death. Just as Control establishes a link between such disparate black and white works as fellow photographer Bruce Weber's Let's Get Lost and kitchen-sink classics like The Loneliness of the Long Distance Runner, the Dutch-born, UK-based director presents his ! subject not as some iconic T-shirt image, but as a deeply flaw! ed--if m assively talented--human being. --Kathleen C. FennessyOne Wii Remote Controller with plastic sleeve and wrist strap

Qualatex 260 Balloons (100/bag) Assorted Pink, Pastel Blue, White, Onyx Black, Quartz Purple, Sapphire Blue, Emerald Green, Ruby Red, Citrine Yellow and Mandarin Orange

• Trusted by Professional Twisters

100 piece assortment of the best quality twisting balloons, approximately 2 inches in diameter and 60 inches in length when fully inflated. These balloons withstand rough twisting, which makes them great for learning because they won't break so easily. Most colors have a see-through 'jewel' tone. This "Traditional" assortment includes Pink, Pale Blue, White, Onyx Black, Quartz Purple, Sapphire Blue, Emerald Green, Ruby Red, Citrine Yellow, and Mandarin Orange.