Thursday, November 17, 2011

Something's Gotta Give

  • Jack Nicholson is always a Key Feature
  • Comedy Movie
  • DVD
Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a succes! sful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon

Enter the Void

Fred Claus

  • This is a story you?ve never heard before, a hilarious and heartwarming comedy about Fred Claus, Santa?s brother ? and complete opposite. After growing up in saintly Nick?s shadow, Fred becomes a grouch who?s lost his belief in Christmas. Then, one magical December, Fred flies north (first via reindeer) to find brother Nick is in trouble: a scheming efficiency expert is out to shut down Christmas
When their only daughter Blair leaves the family nest, Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar, and when Blair callson Christmas Eve to announce a surprise visit with her new fiancée, the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration ev! er.Slapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over what studio-boss-turned-director Joe Roth did to his bestselling novel Skipping Christmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some idea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. --Jeff ShannonA hilarious family comedy! Subtitled in Eng! lish, Fr ench, Chinese, Thai. Wide and full screen.Matthew Broderick and Danny DeVito are hilarious as two neighbors trying to put the "win" in "winter" in one of the year's funniest comedies! Determined to unseat Steve Finch's (Broderick) reign as the town's holiday season king, Buddy Hall (DeVito) plasters his house with so many decorative lights that it'll be visible from space! When their wives (Kristin Davis and Kristin Chenoweth) bond, and their kids follow suit, the two men only escalate their rivalry ­ and their decorating. It's anybody's guess whether the holidays will wind up jolly or jostled in this wild and woolly laugh-fest that the whole family will love!Good neighbors can be hard to come by and when the flighty Buddy Hall (Danny Devito) moves in across the street from the conservative Dr. Steve Finch (Matthew Broderick), it quickly becomes apparent that the two men are complete opposites. While Finch methodically plans out every minute of the coming Christmas seaso! n for his family, Buddy craves freshness and excitement and is seized by an impulsive desire to decorate his house so brightly that it can be seen from space. While the men's wives Kelly (Kristin Davis) and Tia (Kristin Chenoweth) and their children revel in one another's differences and form solid friendships, a rivalry of personalities and Christmas spirit ensues between the two men that will wind up testing the patience and love of every member of both families. This is fun, comical holiday entertainment for the entire family ages 9 and older. --Tami Horiuchi

Beyond Deck the Halls


The Holidays on DVD

Matthew Broderick Films
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Danny DeVito Films



Stills from Deck the Halls







When their only daughter Blair leaves the famil! y nest Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar and when Blair calls on Christmas Eve to announce a surprise visit with her new fianc e the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration ever! With fast-paced energy and support from Dan Aykroyd Cheech Marin Jake Busey and M. Emmet Walsh this hilarious adaptation of John Grisham's best-selling novel "Skipping Christmas" has become "an instant family classic!" (Gorman Woodfin CBN)System Requirements: Running Time 99 MinFormat: UMD Genre: COMEDY Rating: PG UPC: 043396125452 Manufacturer No: 12545Slapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over w! hat studio-boss-turned-director Joe Roth did to his bestsellin! g novel Skipping Christmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some idea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. --Jeff ShannonSlapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over what studio-boss-turned-director Joe Roth did to his bes! tselling novel Skipping Christmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some idea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. --Jeff Shannon

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 116 minutes
Vince Vaughn is enormously enjoyable as the titular Fred Claus, disgruntled older brother! of the better-known St. Nicholas himself, i.e., the North Pol! e’s ve ry own Santa (Paul Giamatti). A garrulous hustler running from the emotional fallout of the ultimate sibling rivalry, poor Fred keeps trying to find happiness through one failed scheme after another, pushing away the people who care about him most. When brother Santa puts the squeeze on him to help out in the toy factory atop the world, Fred turns the place into one big, raucous party. Unfortunately, he’s unaware that Santa and Mrs. Claus (Miranda Richardson) are under tight scrutiny from an oversight committee (represented by a calculating Kevin Spacey) and could be shut down. The film, directed by David Dobkin (Wedding Crashers), gleams and twinkles the way a holiday movie should, and has plenty of fun material for youngsters, including a wacky chase scene in which Fred goes on the run from a half-dozen, angry Salvation Army Santas. But Fred Claus is also supposed to appeal to hip adults with a taste for ironic farce, and on that score the movie feels like ! a succession of Saturday Night Live skits more than an organic whole. Still, Vaughn holds everything together with a smart, insightful performance that looks deep into his character’s torment--with more than a few laughs. --Tom Keogh

The Battle of Shaker Heights Movie Poster Print, 27x41

  • Poster Title: The Battle of Shaker Heights
  • Size: 27 x 41 inches
From executive producers Ben Affleck, Matt Damon, and producer Chris Moore, THE BATTLE OF SHAKER HEIGHTS is the uniquely funny and touching comedy at the center of HBO's highly entertaining series PROJECT GREENLIGHT. For troubled high school senior Kelly Ernswiler (Shia LaBeouf -- CHARLIE'S ANGELS: FULL THROTTLE, DISNEY'S HOLES), life is war -- or at least an incredible simulation. With all the difficulties in his real life, Kelly has found just one true escape: Losing himself in fantasy reenactments of World War II's epic battles. Then he strikes up an unlikely friendship with fellow reenactor, preppy Bart Bowland (Elden Henson -- DUMB AND DUMBERER), and Kelly's life is set to explode in ways he never expected! Also starring Amy Smart (ROAD TRIP) and Kathleen Quinlan (APOLLO 13) in a winning cast of Hollywood favorites -! - here's your chance to enjoy the final cut of the film millions watched come together in the second hit season of PROJECT GREENLIGHT.This perfectly pleasant, if minor, coming-of-age comedy-drama is the second feature released via the Miramax/HBO/Ben Affleck-Matt Damon TV program Project Greenlight. Series viewers watched Heights directors Kyle Rankin and Efram Potelle struggle to get their vision of screenwriter Erica Beeney's story past an intractable producer. If the process was not pretty, the final result--i.e., this film--has some nice things. Leading the list is rising star Shia LaBeouf (Holes) as likable, 17-year-old misfit Kelly Ernswiler, coasting through life and fascinated by simulated war games. He befriends a sweet but cynical preppie, Bart Bowland (Elden Hensen), whose sexy older sister, Tabby (Amy Smart), offers Kelly a glimpse of adult passions and heartache. The cast is strong, including Kathleen Quinlan and William Sadler as the Caulf! ield-esque hero's troubled parents. There are solid moments of! comedy and affecting, better-than-average drama. If Heights fails to ignite, at least it doesn't fail to move. --Tom KeoghThis perfectly pleasant, if minor, coming-of-age comedy-drama is the second feature released via the Miramax/HBO/Ben Affleck-Matt Damon TV program Project Greenlight. Series viewers watched Heights directors Kyle Rankin and Efram Potelle struggle to get their vision of screenwriter Erica Beeney's story past an intractable producer. If the process was not pretty, the final result--i.e., this film--has some nice things. Leading the list is rising star Shia LaBeouf (Holes) as likable, 17-year-old misfit Kelly Ernswiler, coasting through life and fascinated by simulated war games. He befriends a sweet but cynical preppie, Bart Bowland (Elden Hensen), whose sexy older sister, Tabby (Amy Smart), offers Kelly a glimpse of adult passions and heartache. The cast is strong, including Kathleen Quinlan and William Sadler as the Caulfield-e! sque hero's troubled parents. There are solid moments of comedy and affecting, better-than-average drama. If Heights fails to ignite, at least it doesn't fail to move. --Tom Keogh

Decorate your home or office with high quality posters. The Battle of Shaker Heights is that perfect piece that matches your style, interests, and budget.

Cloudy With a Chance of Meatballs

Wednesday, November 16, 2011

Deception: An Alex Delaware Novel (Alex Delaware Novels)

Head In The Clouds : Widescreen Edition

  • Widescreen
Adelaide Proctor is a young woman with her head in the clouds, longing for a real-life storybook hero to claim as her own. But when a husband-hunting debacle leaves her humiliated, she interviews for a staid governess position on a central Texas sheep ranch and vows to leave her romantic yearnings behind.

When Gideon Westcott left his privileged life in England to make a name for himself in America's wool industry, he never expected to become a father overnight. And five-year-old Isabella hasn't uttered a word since she lost her mother. The unconventionality of the new governess concerns Gideon--and intrigues him at the same time. But he can't afford distractions. He has a ranch to run, a shearing to oversee, and a suspicious fence-cutting to investigate.

When Isabella's uncle comes to claim the child--and her inheritance--Gideon and Adelaide must work together t! o protect Isabella from the man's evil schemes. And soon neither can deny their growing attraction. But after so many heartbreaks, will Adelaide be willing to get her head out of the clouds and put her heart on the line? As war clouds gather over Europe, a free-spirited socialite and her two lovers live a life of pleasure and privilege until the Spanish Civil War tears them apart. Starring Charlize Theron and Penelope Cruz.If movies were solely about the cheap pleasure of watching gorgeous people make grand gestures in epic circumstances--because, sure, sometimes movies are--director/screenwriter John Duigan's goopy, obvious, overwrought contemplation of how global unrest really messes with your love life would be Oscar-worthy. Charlize Theron, Stuart Townsend, and Penelope Cruz are headstrong 1930s playthings who each discover that they need to pull their attractive heads out of their inviting behinds if they're going to play a part in stopping the spread of Europe! an fascism. Charlize is socialite Gilda, who ensnares both bro! oding, C ambridge-educated Irishman Townsend and Spanish rebel Cruz (who is particularly ill-defined) in a love triangle while seemingly caring not a whit for the imminent goosesteps of the Nazis. Charlize wears a lot of fabulous outfits, and she and real-life paramour Townsend do impetuous things like sport fedoras while romping in a milky-white bathtub; Cruz, meanwhile, performs a passionate impromptu striptease. Hey, there are worse ways to be entertained. Unfortunately, you don't really give a damn about any of them, and you can predict what's going to happen to all of them well before it actually does. It's an efficient, glamorous, hokey, ultimately downbeat time-killer for anyone willing to spend two hours trying to decide which of the doe-eyed trio you'd save from destruction first. --Steve WieckingThe course of teen love never did run smooth, but these days it seems bumpier than ever. Children are growing up faster and pushing the boundaries of sexuality earlier, as we! ll as facing new kinds of pressures most parents have never even dreamed of.

You cannot shut down your daughter's hormones. What she is feelingâ€"the thrill of romantic anticipation and the euphoria of falling in loveâ€"is biologically programmed and age appropriate. But watching your daughter discover boys is both exciting and scary. Before you lies a major challenge: helping your daughter navigate the oncoming rush of romance during the young adolescent and teen years.

Boy Crazy! shows you how to recognize and remember what your daughter is going throughâ€"the excitement of a first date, the throes of a first crush, or the pain of a first broken heart. It also gives you insight into what teen love is like today, and helps you establish yourself as your family’s authority on relationshipsâ€"no longer will daughters feel starved for guidance and forced to turn to the suspect guidance of the media or peers.

Learning how to enjoy romance and! build healthy relationships are some of the most important sk! ills to have throughout our lives. This book is a blueprint to understanding and helping your coming-of-age daughter start to develop those skills.dvd

Blue Tooth Virgin

  • BLUE TOOTH VIRGIN, THE (DVD MOVIE)
When David, a magazine editor, gives his best friend’s latest screenplay a negative review, he hilariously learns that sometimes the truth isn’t always the best policy. Starring Bryce Johnson, Amber Benson, Karen Black and Roma MaffiaA writer asks a writer friend for his honest, truthful, no-holds-barred opinion on a newly-completely screenplay. This can only end badly. The Bluetooth Virgin is the concentrated tale of this dire situation, rolled out in a series of discrete scenes that (appropriately enough for a movie about writing) highlight the word above all else. Sam (Austin Peck) is the author looking for feedback, and David (Bryce Johnson) is his pal, a magazine editor; the script in question has the frankly terrible title of The Bluetooth Virgin. One high point comes early, on the golf course, as David's initial encouraging reactions to the piece ! gradually give way to admitting that, well, the script had a lot of problems. Primarily a batch of two-person dialogues, the movie also gets boosts from Lauren Stamile and a formidable Karen Black. Writer-director Russell Brown arranges the movie around the Mamet-esque exchanges of his characters, who are generally not really wanting the thing they say they're wanting. This sort of assertively "written" dialogue can be exciting to listen to, especially in an age that values a lax naturalism in movie dialogue, and Brown has a fine ear for self-delusion. The danger in such an approach, and Brown doesn't elude it, is that such a movie can feel like a self-contained system, without room for breath or uncertainty. But it's an undeniably clever system. --Robert Horton
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